Artwork

İçerik Jules & Joseph tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Jules & Joseph veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
Player FM - Podcast Uygulaması
Player FM uygulamasıyla çevrimdışı Player FM !

Oscar Season 2024-2025; Final Predictions; Musicals Duel In Sound Design and Visual Effects; Multiple Ridley Scott & Ape Projects Go Head-To-Head; Films On Both Sound and Visual Effects Longlists Look For An Edge

1:02:29
 
Paylaş
 

Manage episode 462624912 series 3635017
İçerik Jules & Joseph tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Jules & Joseph veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

On this episode of ACADEMY ANONYMOUS:

  • How many photo-real animal work can the Visual Effects branch spotlight
  • Is there room for both Weta's dystopian apes and dancing ape on the Visual Effects five
  • Is the Ridley Scott name on the long list enough to carry “Gladiator 2” into a nomination
  • Can “Twisters” and “Alien: Romulus” capitalize on their distinct settings and effects to distinguish themselves from the rest of the lineup
  • Alex Garland looks to crash the Visual Effects category again after previously winning with “Ex-Machina” and reaping a nod from the Visual Effects Society with "Civil War"
  • “Wicked” favored for a nod by pundits but not the traditional kind of work visual effects artists fall for, especially with the musical “Better Man” outperforming it at the VES
  • Will Disney finally lose out on a Visual Effects nomination - their first since the category expanded in 2010? Or is Shawn Levy and his production company their “ace in the hole”?
  • Can “Wicked” and “Emilia Perez" coexist in Best Sound, the first time for multiple musicals in the category since 1968
  • Can one-time Best Picture favorite “Blitz” use BAFTA nod to capture at least a single nod at the Oscar
  • “A Complete Unknown” to continue Sound branch’s love for musical biopics and James Mangold projects
  • “Dune, Part 2” bolstered in Sound by its Visual Effects nomination
  • How a spot on the VFX longlist has bolstered the chances of “Gladiator 2,” “Deadpool & Wolverine,” and “Alien: Romulus” to steal a spot as a Best Sound nominee
  • Can “The Wild Robot” find favor in the Sound branch - where few animated titles and only Pixar have been before?
  continue reading

Bölümler

1. Oscar Season 2024-2025; Final Predictions; Musicals Duel In Sound Design and Visual Effects; Multiple Ridley Scott & Ape Projects Go Head-To-Head; Films On Both Sound and Visual Effects Longlists Look For An Edge (00:00:00)

2. Contenders In Visual Effects Struggle To Stand Out (00:00:21)

3. A Stacked Sound Category Leaves Room For Few Surprises (00:37:13)

30 bölüm

Artwork
iconPaylaş
 
Manage episode 462624912 series 3635017
İçerik Jules & Joseph tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Jules & Joseph veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

On this episode of ACADEMY ANONYMOUS:

  • How many photo-real animal work can the Visual Effects branch spotlight
  • Is there room for both Weta's dystopian apes and dancing ape on the Visual Effects five
  • Is the Ridley Scott name on the long list enough to carry “Gladiator 2” into a nomination
  • Can “Twisters” and “Alien: Romulus” capitalize on their distinct settings and effects to distinguish themselves from the rest of the lineup
  • Alex Garland looks to crash the Visual Effects category again after previously winning with “Ex-Machina” and reaping a nod from the Visual Effects Society with "Civil War"
  • “Wicked” favored for a nod by pundits but not the traditional kind of work visual effects artists fall for, especially with the musical “Better Man” outperforming it at the VES
  • Will Disney finally lose out on a Visual Effects nomination - their first since the category expanded in 2010? Or is Shawn Levy and his production company their “ace in the hole”?
  • Can “Wicked” and “Emilia Perez" coexist in Best Sound, the first time for multiple musicals in the category since 1968
  • Can one-time Best Picture favorite “Blitz” use BAFTA nod to capture at least a single nod at the Oscar
  • “A Complete Unknown” to continue Sound branch’s love for musical biopics and James Mangold projects
  • “Dune, Part 2” bolstered in Sound by its Visual Effects nomination
  • How a spot on the VFX longlist has bolstered the chances of “Gladiator 2,” “Deadpool & Wolverine,” and “Alien: Romulus” to steal a spot as a Best Sound nominee
  • Can “The Wild Robot” find favor in the Sound branch - where few animated titles and only Pixar have been before?
  continue reading

Bölümler

1. Oscar Season 2024-2025; Final Predictions; Musicals Duel In Sound Design and Visual Effects; Multiple Ridley Scott & Ape Projects Go Head-To-Head; Films On Both Sound and Visual Effects Longlists Look For An Edge (00:00:00)

2. Contenders In Visual Effects Struggle To Stand Out (00:00:21)

3. A Stacked Sound Category Leaves Room For Few Surprises (00:37:13)

30 bölüm

Tüm bölümler

×
 
Loading …

Player FM'e Hoş Geldiniz!

Player FM şu anda sizin için internetteki yüksek kalitedeki podcast'leri arıyor. En iyi podcast uygulaması ve Android, iPhone ve internet üzerinde çalışıyor. Aboneliklerinizi cihazlar arasında eş zamanlamak için üye olun.

 

Hızlı referans rehberi

Keşfederken bu şovu dinleyin
Çal