Making It is a weekly audio podcast that comes out every Friday hosted by Jimmy Diresta, Bob Clagett and David Picciuto. Three different makers with different backgrounds talking about creativity, design and making things with your bare hands.
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İçerik PJ Mathews tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan PJ Mathews veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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Scholarcast 31: Writing around the Irish Sea: Inlets, outlets, Firths and Mouths
Manage episode 157811726 series 1233202
İçerik PJ Mathews tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan PJ Mathews veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
The Lecture explores the enduring fascination of the Irish Sea, focusing particularly on the Solway Firth, an area regarded by the nineteenth-century artist, art critic, writer and social reformer, John Ruskin, as second only to the Holy Land in its cultural importance. The ageing Ruskin wrote passionately about the Solway in his autobiography, Praeterita, which pays tribute to the beauty of the coast and its creative legacy, as evident in the work of Walter Scott, J. M. W. Turner and the local Scottish music. The lecture considers the connections between these works and the coast itself, with its changing history, before moving across the Irish Sea to Ciaran Carson's 1989 collection, Belfast Confetti, which includes a poem about Ruskin, Turner and the modern city, 'John Ruskin in Belfast'. Exploration of the dialogue between different writers on either side of the Irish Sea, and on either side of the Solway Firth allows the area to be viewed temporally as well as spatially. It thus offers a new model for reading landscapes and literature, in which geographical and historical aspects are mutually informing. What may appear to be fixed and unchanging is revealed as being subject to successions of developing technology and economic imperatives; but conversely, the longer view encouraged by returning to the same place over the centuries offers a different perspective on the contemporaneous impulse of contextualisation.
…
continue reading
8 bölüm
Scholarcast 31: Writing around the Irish Sea: Inlets, outlets, Firths and Mouths
UCD Scholarcast - Series 7: The Literatures and Cultures of the Irish Sea
Manage episode 157811726 series 1233202
İçerik PJ Mathews tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan PJ Mathews veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
The Lecture explores the enduring fascination of the Irish Sea, focusing particularly on the Solway Firth, an area regarded by the nineteenth-century artist, art critic, writer and social reformer, John Ruskin, as second only to the Holy Land in its cultural importance. The ageing Ruskin wrote passionately about the Solway in his autobiography, Praeterita, which pays tribute to the beauty of the coast and its creative legacy, as evident in the work of Walter Scott, J. M. W. Turner and the local Scottish music. The lecture considers the connections between these works and the coast itself, with its changing history, before moving across the Irish Sea to Ciaran Carson's 1989 collection, Belfast Confetti, which includes a poem about Ruskin, Turner and the modern city, 'John Ruskin in Belfast'. Exploration of the dialogue between different writers on either side of the Irish Sea, and on either side of the Solway Firth allows the area to be viewed temporally as well as spatially. It thus offers a new model for reading landscapes and literature, in which geographical and historical aspects are mutually informing. What may appear to be fixed and unchanging is revealed as being subject to successions of developing technology and economic imperatives; but conversely, the longer view encouraged by returning to the same place over the centuries offers a different perspective on the contemporaneous impulse of contextualisation.
…
continue reading
8 bölüm
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