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Episode 279: THE NIGHT PORTER (1974) with Kelly Krantz

1:19:51
 
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İçerik Trylove tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Trylove veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

With Kelly Krantz!

Liliana Cavani’s psychological, post-Holocaust perverted thriller went down as one of the most controversial movies of all time. In a concentration camp during World War II, concentration camp officer Max (Dirk Bogarde) and his prisoner victim Lucia (Charlotte Rampling) form a sadomasochistic relationship. Their relationship is colored as much by their shared depravity as by Max’s evil humanity and Lucia’s shame over her burgeoning desire.

Pretty inflammatory stuff! Hence the reputation. But we’re not convinced it’s the irresponsible exploitation film it’s been remembered as. On this episode, we explain why by focusing on the lead characters’ psychology, what brings them together, and what dooms them from the start.

References:

Find Kelly…

  • On Twitter at @kransekage_
  • On Letterboxd at @luckyhoss
  • On Trylove episodes about WINGS OF DESIRE (1987), ARREBATO (1979), and PHANTOM OF THE PARADISE (1974), REVOLVER (1973), and THE DOOM GENERATION (1995)

Contribute to Perisphere, the Trylon blog: https://www.perisphere.org/perisphere-blog-post-guidelines/

#CharlotteRamplingsIllusionsOfInvulnerability #DCP

Follow us on Twitter at @trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at trylon.org.

Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Closing audio: "Sonata 1950" by Daniele Paris from the THE NIGHT PORTER soundtrack.

Timestamps

0:00 - Episode 279: THE NIGHT PORTER (1974)

5:05 - Starting THE NIGHT PORTER with context

17:24 - Mistaking this movie for exploitation cinema

22:20 - Max’s perverse self-denial

37:46 - Lucia, Charlotte Rampling, voyeurism, transgression, and performance

41:26 - The power Max and Lucia have in their relationship

55:23 - The ending

1:02:50 - The Junk Drawer

1:13:10 - To All the Loves We’ve Tried Before: 1974

  continue reading

301 bölüm

Artwork
iconPaylaş
 
Manage episode 418332384 series 2996288
İçerik Trylove tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Trylove veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

With Kelly Krantz!

Liliana Cavani’s psychological, post-Holocaust perverted thriller went down as one of the most controversial movies of all time. In a concentration camp during World War II, concentration camp officer Max (Dirk Bogarde) and his prisoner victim Lucia (Charlotte Rampling) form a sadomasochistic relationship. Their relationship is colored as much by their shared depravity as by Max’s evil humanity and Lucia’s shame over her burgeoning desire.

Pretty inflammatory stuff! Hence the reputation. But we’re not convinced it’s the irresponsible exploitation film it’s been remembered as. On this episode, we explain why by focusing on the lead characters’ psychology, what brings them together, and what dooms them from the start.

References:

Find Kelly…

  • On Twitter at @kransekage_
  • On Letterboxd at @luckyhoss
  • On Trylove episodes about WINGS OF DESIRE (1987), ARREBATO (1979), and PHANTOM OF THE PARADISE (1974), REVOLVER (1973), and THE DOOM GENERATION (1995)

Contribute to Perisphere, the Trylon blog: https://www.perisphere.org/perisphere-blog-post-guidelines/

#CharlotteRamplingsIllusionsOfInvulnerability #DCP

Follow us on Twitter at @trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at trylon.org.

Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Closing audio: "Sonata 1950" by Daniele Paris from the THE NIGHT PORTER soundtrack.

Timestamps

0:00 - Episode 279: THE NIGHT PORTER (1974)

5:05 - Starting THE NIGHT PORTER with context

17:24 - Mistaking this movie for exploitation cinema

22:20 - Max’s perverse self-denial

37:46 - Lucia, Charlotte Rampling, voyeurism, transgression, and performance

41:26 - The power Max and Lucia have in their relationship

55:23 - The ending

1:02:50 - The Junk Drawer

1:13:10 - To All the Loves We’ve Tried Before: 1974

  continue reading

301 bölüm

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