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İçerik Matt Feury tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Matt Feury veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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Baby Reindeer

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Manage episode 420482885 series 2735540
İçerik Matt Feury tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Matt Feury veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
Editor - Peter H. Oliver

BABY REINDEER editor Peter Oliver had just one word to describe Richard Gadd's script when he first read it. That word was "wow"! Viewers of the hit Netflix series can certainly relate to that reaction as the show has resonated with audiences for its ability to delicately blend humor and pathos.

Created by and starring Richard Gadd, BABY REINDEER is adapted from Gadd's autobiographical one-man show. It tells the story of aspiring comedian Donny Dunn, who works as a bartender in a London pub. One fateful day, Donny offers a cup of tea to a customer, Martha, to cheer her up. Martha develops a strong attachment to Donny and starts coming to the bar every day. Her fascination and attraction to Donny rapidly descends into Martha harassing Donny online and in person.

PETER H. OLIVER

Prior to his work on BABY REINDEER, Peter Oliver's editing talents were on display in series such as THE BILL (2005-09), BAD EDUCATION (2013), RED DWARF (2016-17), and GOLDIE'S OLDIES (2021). Peter's work can next be seen in the upcoming Netflix series, ERIC (2024) starring Benedict Cumberbatch.

Editing BABY REINDEER

In our discussion with BABY REINDEER editor Peter Oliver, we talk about:

  • The overwhelming aspect of group Zoom interviews
  • Finding darkness in the lightness, and lightness in the darkness
  • Letting the lyrics be the subtext
  • Pushing in, in post
  • The subtle stitching of three-sixty shots
The Credits

Visit Extreme Music for all your production audio needs

See the Rough Cut come to life over at the Frame.io blog

See the latest new features in Avid Media Composer

Subscribe to The Rough Cut podcast and never miss an episode

Visit The Rough Cut on YouTube

  continue reading

253 bölüm

Artwork

Baby Reindeer

The Rough Cut

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iconPaylaş
 
Manage episode 420482885 series 2735540
İçerik Matt Feury tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Matt Feury veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
Editor - Peter H. Oliver

BABY REINDEER editor Peter Oliver had just one word to describe Richard Gadd's script when he first read it. That word was "wow"! Viewers of the hit Netflix series can certainly relate to that reaction as the show has resonated with audiences for its ability to delicately blend humor and pathos.

Created by and starring Richard Gadd, BABY REINDEER is adapted from Gadd's autobiographical one-man show. It tells the story of aspiring comedian Donny Dunn, who works as a bartender in a London pub. One fateful day, Donny offers a cup of tea to a customer, Martha, to cheer her up. Martha develops a strong attachment to Donny and starts coming to the bar every day. Her fascination and attraction to Donny rapidly descends into Martha harassing Donny online and in person.

PETER H. OLIVER

Prior to his work on BABY REINDEER, Peter Oliver's editing talents were on display in series such as THE BILL (2005-09), BAD EDUCATION (2013), RED DWARF (2016-17), and GOLDIE'S OLDIES (2021). Peter's work can next be seen in the upcoming Netflix series, ERIC (2024) starring Benedict Cumberbatch.

Editing BABY REINDEER

In our discussion with BABY REINDEER editor Peter Oliver, we talk about:

  • The overwhelming aspect of group Zoom interviews
  • Finding darkness in the lightness, and lightness in the darkness
  • Letting the lyrics be the subtext
  • Pushing in, in post
  • The subtle stitching of three-sixty shots
The Credits

Visit Extreme Music for all your production audio needs

See the Rough Cut come to life over at the Frame.io blog

See the latest new features in Avid Media Composer

Subscribe to The Rough Cut podcast and never miss an episode

Visit The Rough Cut on YouTube

  continue reading

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