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İçerik Bob Sham tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Bob Sham veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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The Ice Storm (1997)

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Manage episode 452502390 series 3435525
İçerik Bob Sham tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Bob Sham veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

Happy Thanksgiving! We like Thanksgiving around here. It’s the only time we eat all that shit and I know it sucks when your family can’t do the turkey proper but maybe we’re just lucky. Hopefully your family are cool and prioritize the right things on this holiday. Like food and chilling out and maybe watching a football game and not stressing about shit. Bob loves Thanksgiving. He’ll be the first to tell ya. When it comes to films, there aren’t a lot of Thanksgiving specific movies. Sometimes movies that feature Thanksgiving will pass time into Christmas as well. But pure Thanksgiving movies? Not many but with the few hat we can come up with, Thanksgiving movies might have the highest track record for quality holiday movies across the board. Last year we discussed what we dubbed the ultimate Thanksgiving movie “Planes, Trains and Automobiles”, this year we get even deeper into the drama of family life. It’s Thanksgiving break in New Canaan, Connecticut in 1973 and the stale remnants of the sexual revolution has led to a general dissatisfaction and existential confusion amongst some marriages and two families in particular, the Hoods and the Carvers. They’re neighbors and their kids are of that age of confusion and exploration and while the parents seek a variety of ways to diminish that stagnant feeling in their lives, they’re no less awkward than their children amidst their own sexual lives. A quality movie that maybe fell under the radar, Ang Lee’s “THE ICE STORM” from 1997 is a compelling character driven film and a quality adult selection for Thanksgiving material. It stars a nice ensemble of Kevin Kline, Joan Allen, Sigourney Weaver, Tobey Maguire, Christina Ricci and Elijah Wood. A beautifully shot movie as well so let us tell you about it. What Thanksgiving options are left? We got “Dutch”, “Son in Law”, “Hannah and her Sisters”, “The Last Waltz”… Can you think of any more?

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Contact us here: MOVIEHUMPERS@gmail.com

Check our past & current film ratings here: https://moviehumpers.wordpress.com

Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7

Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249

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The Ice Storm (1997)

The Projectors

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iconPaylaş
 
Manage episode 452502390 series 3435525
İçerik Bob Sham tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Bob Sham veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

Happy Thanksgiving! We like Thanksgiving around here. It’s the only time we eat all that shit and I know it sucks when your family can’t do the turkey proper but maybe we’re just lucky. Hopefully your family are cool and prioritize the right things on this holiday. Like food and chilling out and maybe watching a football game and not stressing about shit. Bob loves Thanksgiving. He’ll be the first to tell ya. When it comes to films, there aren’t a lot of Thanksgiving specific movies. Sometimes movies that feature Thanksgiving will pass time into Christmas as well. But pure Thanksgiving movies? Not many but with the few hat we can come up with, Thanksgiving movies might have the highest track record for quality holiday movies across the board. Last year we discussed what we dubbed the ultimate Thanksgiving movie “Planes, Trains and Automobiles”, this year we get even deeper into the drama of family life. It’s Thanksgiving break in New Canaan, Connecticut in 1973 and the stale remnants of the sexual revolution has led to a general dissatisfaction and existential confusion amongst some marriages and two families in particular, the Hoods and the Carvers. They’re neighbors and their kids are of that age of confusion and exploration and while the parents seek a variety of ways to diminish that stagnant feeling in their lives, they’re no less awkward than their children amidst their own sexual lives. A quality movie that maybe fell under the radar, Ang Lee’s “THE ICE STORM” from 1997 is a compelling character driven film and a quality adult selection for Thanksgiving material. It stars a nice ensemble of Kevin Kline, Joan Allen, Sigourney Weaver, Tobey Maguire, Christina Ricci and Elijah Wood. A beautifully shot movie as well so let us tell you about it. What Thanksgiving options are left? We got “Dutch”, “Son in Law”, “Hannah and her Sisters”, “The Last Waltz”… Can you think of any more?

Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg

Contact us here: MOVIEHUMPERS@gmail.com

Check our past & current film ratings here: https://moviehumpers.wordpress.com

Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7

Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249

Soundcloud feed: https://soundcloud.com/documenteers

Twitch: https://www.twitch.tv/culturewrought

  continue reading

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What a fun month it’s been exploring some directors so for the final week we’re hitting up someone who is easily our most prolific, is very well known and has some beloved works under his belt. We’re talking about Tony Scott’s brother, Sir Ridley for week 5’s sub-theme “SIR RIDLEY SCOTT’S LAST FOUR”. The first of Ridley’s last four did not light up the box office and he was pretty sore about it. He blamed an entire generation and, yeah, it would be nice if millennials would move away from the franchise shlock a little more but Sir Ridley might have been suffering of a bit of a sore booty hole about it. Not enough people went to go see his historical account of a duel in medieval France following a fairly rare occurrence of a noblewoman’s claims of rape. Told in three perspectives and the men seem to tell on themselves a bit. Did the braggart fuckboy, Jacque le Gris, sexually assault Marguerite, the daughter of a traitor and wife to the terminally unlikable Jean de Carrouges? Truth or no, it all comes down to violence in Ridley’s 2021 film “THE LAST DUEL” starring Jodie Comer, Matt Damon, Adam Driver and Ben Affleck. Looking back, 2021 was kind of a fucked year for most anybody alive right now so maybe Ridley should calm down a little bit? His next one did much better and it came out the same year. People love that fashion stuff. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
 
This February we discuss films made by Black Directors with Black Actors as leads. The theme is called "BODY & SOUL" (bed music for this recording by Robert Glasper for the film "THE PHOTOGRAPH") Here's a link to a much more visual and entertaining version of this preview: https://youtu.be/DpM2KXOl4hY the schedule: 2/3 - Buck and the Preacher (1972) 2/5 - Do the Right Thing (1989) 2/7 - The Harder They Come (1972) 2/10 - Hollywood Shuffle (1987) 2/11 - Losing Ground (1982) 2/12 - A Wrinkle in Time (2018) 2/13 - Cuties (Mignonnes) (2020) 2/14 - The Photograph (2020) 2/17 - Deep Cover (1992) 2/19 - Belly (1998) 2/21 - Widows (2018) 2/24 - Black Panther (2018) 2/26 - Out of Time (2003) 2/28 - After Earth (2013) - for "Getting It Twisted w/ M. Night Shyamalan"…
 
We’re at the end of week four this January and that means the last discussion in what we’ve dubbed “NANCY SAVOCA’S ITALIAN HEARTS TRILOGY”. We’re discussing a film that got a 4K re-release in independent theaters last year and is available on DVD over at Kino-Lorber if you’re interested in such things. Nancy Savoca’s first three films didn’t incinerate the box office but it’s with great pleasure that we watch a reflect on some pretty detailed character pieces after all these years and they deserve to be seen and discussed. Today we talk “HOUSEHOLD SAINTS” from 1993, a soft-psychedelic tale that ranges from feelings of folklore and loops back into modern trappings before it cracks the folklore wall once again. It stars Tracy Ullman, Vincent D’Onofrio, Lily Taylor, Judith Molina, Michael Rispoli & Michael Imperioli. The legend of how the sausage maker won his wife in a card game is just the beginning. Perhaps in every family, every neighborhood, every street in Little Italy is the story of a local legend achieving sainthood. It might be nothing much more than a tragic case of psychosis, but these are probably the first sausages that cure gout instead of causing it. Hear us tale the tale as we say goodbye to Nancy Savoca’s Italian hearts. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
 
Week four of January’s theme of “5 DIRECTORS” is very heartfelt because we’re analyzing Nancy Savoca’s first three feature films in this week’s sub-theme that we’ve dubbed “NANCY SAVOCA’S ITALIAN HEARTS TRILOGY”. Criminally underrated in their time but film fans are re-evaluating Savoca’s movies today thanks to re-releases by Criterion and Kino-Lorber and are finding that their vibrant tenderness is holding up very nicely. Today we discuss the second of her films that, once again, showcases what a devastating loss to the film world it was when River Phoenix tragically passed away those many years ago. We’re discussing the 1991 60s romance “DOGFIGHT” starring River Phoenix & Lily Taylor. Some young Marines are to be shipped to far eastern lands from 1963 San Francisco but first they must play a game by seeing who can bring the ugliest girl to a party to win a prize. Lance Corporal Eddie Birdlace plays along but feels rather bad because plain and quiet Rose Fenny probably doesn’t deserve this treatment much less anybody else. She’s rightfully pissed when she figures out the game but Eddie wants to make it up to her and that night he discovers a young woman who is more sure of what she wants than he may ever be. It’s a night to remember. Beyond that he just has to survive going to places his government has no place sending him. Another tender piece from Savoca so hear us tell of it. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
 
We’re onto week four of January’s theme of “5 DIRECTORS” and we hit up another underrated filmmaker who has been getting more of her flowers in hindsight with some key film re-releases in the last few years but her first film we’re discussing did manage to beat our “Sex, Lies and Videotape” that year at Sundance. Today we’re discussing the first film of what we’re dubbing “NANCY SAVOCA’S ITALIAN HEARTS TRILOGY” (we’re really wanting that to take off) with her 1989 film “TRUE LOVE” starring Annabella Sciorra & Ron Eldard. Peeking into the lives of an engaged Italian couple in the Bronx almost feels like a violation considering how sincere and vivid even the briefest of lives that we encounter come off. Love isn’t easy though. Love can’t even guarantee happiness. You don’t doubt the connection but will this relationship truly work? A masterclass in representing rich characters on a low budget, watching “True Love” practically feels like being at an Italian wedding. You know I’d be acting a fool making moves on that cabbie lady. That dude isn’t good enough for her. This also happens to be Savoca’s biggest box office with $1.3 million on a $750k budget. Impressive but the true details of her work are still criminally under appreciated. Hear us tell of this tale of young love and also we say goodbye to one of our heroes, David Lynch. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
 
January’s theme is “5 DIRECTORS” in which we analyze films by a different director each week and we end Nicholas Ray week with a technical marvel that deals with something that isn’t often focused upon during the Hayes code. Addiction. James Mason produced and starred in this story based off of a true to life article from the New York Times in which a man is diagnosed with a fatal condition. Fortunately there’s a new miracle drug called Cortisone that can keep him alive so long as he doesn’t abuse it. Spoiler: He abuses it. Hide the bibles when dad’s on the junk. You don’t want to go where the psychosis takes him. We end “Nicholas Ray 1952 to 1956” with the film “BIGGER THAN LIFE” starring James Mason, Barbara Rush and Walter Matthau. Don’t think addiction is just in the purview of the streets. It can affect school teachers with transatlantic accents as well. Such a unique film for its time and crafted in such a way that you can’t imagine it handled in anybody else’s hands. Of course we found a link. Right here: https://archive.org/details/bigger-than-life-1956-nicholas-ray Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
 
It’s a loaded week of Nicholas Ray spanning the years 1952 to 1956. He actually made 6 films total at this time so we had to narrow out the fourth one between this deep cut film and a James Cagney western. We already discussed two genre bending Nicholas Ray Westerns this week so we turn our attention to what is easily the deepest cut film we will discuss all month. We couldn’t even find a trailer for it but this Gypsy romance goes its own way. We’re discussing Ray’s 1956 quasi-musical “HOT BLOOD” from 1956 starring Jane Russell, Cornel Wilde and Luther Adler. Gypsy King Marco has a secret, he’s dying, and he wants his little brother to walk away from the goucho/gorger ways and take his place as Gypsy King by marrying another gypsy. In comes Ann, played by Jane Russell who double crosses the gaucho living Stephano by making him think she won’t go through with the marriage, and then she does. Can these gypsy newlyweds contend with their fate or will Stephano’s stubbornness stand in the way of what his brother wants for him? Very deep cut but we found a link if you want to watch it: https://archive.org/details/hot-blood-1956-720p-movies Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
 
The third week of January is devoted to Nicholas Ray movies from 1952 to 1956 and we’ve arrived at what is easily his most iconic and infamous movie and it might have been like other Nicholas Ray movies, acclaimed and retroactively appreciated on a cult film level, but in less than a month of it’s release it’s lead perished in a fatal car crash. Fates collide to make Nicholas Ray’s 1955 film “REBEL WITHOUT A CAUSE” a cornerstone in 50s cinema and would rocket the image of James Dean into the greater cultural zeitgeist of Americana. A much more tragic film when you consider the losses of co-stars Natalie Wood and Sal Mineo that would occur much later. James Dean was essential cool for an entire generation that probably was a lot more like Buzz Gunderson than most were ever like James Dean’s character of Jim Stark. The kids are not alright in 1955. They’re driving off of cliffs because what the hell else is there to do? Hear us discuss one of the most iconic films we’re reviewing all month. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
 
For January’s weekly director examinations we’re on week three with a loaded line up of Nicholas Ray Films spanning five years. Today it’s another standout western that stood out for being baffling to audiences when it initially released but history has grown kind to Ray’s 1954 film “JOHNNY GUITAR” for how unique it feels in any era. Joan Crawford owns the screen as Vienna, a hard nosed woman who just opened a casino saloon to nobody, but very soon the train tracks will be laid and she will live her life. She’s not the only woman in control. Her biggest rival is Mercedes McCambridge’s “Emma” a psychotic cattle baron who feels so burned by a past love’s history with Vienna that she’s willing to kill her for it and she’s got the law and the rest of the town behind her. In comes Johnny Guitar as played by Sterling Hayden. A mystery man hired by Vienna to entertain the saloon. Of course, they got history. She needs a body guard and he’s a secret gunfighter. She doesn’t want it to be this way but some people are gonna die. Will it be her? Will she lose everything? Can all the girl boss swag in the world save her? Joan Crawford lights it up in this film but Mercedes McCambridge more than holds her own and it’s convenient to us, the viewer, that they absolutely hated each other in real life. A worthy western melodrama that is worth seeing once. Hear us talk of it. Here’s a link to the film that we found: https://archive.org/details/johnny.-guitar.-1954.1080p.-blu-ray.x-264.-aac-yts.-mx Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
 
We’re examining 5 DIRECTORS for January and for the third week we’re loaded up with our theme “NICHOLAS RAY 1952 to 1956”. Ray released 6 movies in that time period and we’re covering five of them. We start it off with a unique contemporary western starring Robert Mitchum ( a 100% Certified Official DAWG© ) and Susan Hayward who has us going like that wolf in the old cartoons. We’re discussing “THE LUSTY MEN” from 1952, Nicholas Ray’s very informative rodeo film that is rather spicy by classic Hayes Code standards. Rodeo man Jeff (Mitchum) is injured out of the game and comes home to where he grew up. There he meets Wes (Arthur Kennedy) and his wife Louise (Hayward). Wes knows about Jeff’s reputation and he’s got the rodeo fever much to his wife’s chagrin. Jeff coaches Wes but one competition isn’t enough and the three find themselves traveling the rodeo circuit where there’s glory to be had as well as groupies and plenty of sexual tension with other men’s wives. It’s pretty much that Garth Brooks song but sadder at the end, though not sad in the way we thought it was going to be at first. It should be noted that this movie was directed a few scenes by someone else while Nicholas Ray was sick. Probably boozing. Or maybe he tried to ride a bronco. Anyway, here's a link we found to the flick: https://archive.org/details/the.-lusty.-men.-1952.1080p.-webrip.x-264 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
 
Each week in January is devoted to a different director at certain stages in their career but this discussion marks the end of Elaine May week as we have now discussed every film that Elaine May directed. This movie represents a much more dramatic direction but in typical Elaine May fashion, the humor is often in the tragic details. We have a very unique mob movie here starring two fellows that were prime in this era, Peter Falk and John Cassettes. They are the titular characters “MIKEY AND NICKY”, respectively in this film from 1976. Nicky robbed his gangster boss so now there’s a hit on him. His best friend, Mikey, from childhood is there for him, as usual. But Mikey might have some animosity he can’t shake because he’s in on the hit. A rich character acting showcase with some of the best in the biz for the era. This is also a precursor to “Ishtar” in regards to studio conflicts and budget increases that caused the industry to essentially sabotage Elaine May from directing ever again. May had plenty more to do in regards to acting and writing but you can’t help but wonder what more she could have done from the directors chair. It’s a headache business and sometimes being bros can have it’s own headaches as well. Elaine May’s next and final film wouldn’t come out until over a decade later. Here’s a link to a quality cut of the movie: https://archive.org/details/mikey-and-nicky-1976 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
 
We’re examining the rest of Elaine May’s directed films this week and we’re into some deep cut quality comedies. Today’s discussion is darkly humorous in the sense that much of the humor Is centered around the self absorbed and deceitful nature of Lenny Cantor who sees greener grass everywhere he goes, especially after he’s gotten what he thinks he wants. Charles Grodin’s “Lenny” wants sex and he will get married to get it but when the dog catches the car it tends to not want much more to do with it. Lenny happens to meet who he thinks is the girl of his dreams except that he meets her on his honeymoon. The comedic examinations of an awful person can get kinda lost when you feel so bad for people around the lead. Angela wanted to fight Lenny is what we’re saying. The primary marketing pitch of Elaine May’s second feature film “THE HEARTBREAK KID” from 1972 was that it was written by Neil Simon ( the Odd Couple guy). It also stars Cybill Shepherd, Jeannie Berlin and Eddie Albert. Critically acclaimed but underseen in its time. The retroactive appreciation of Elaine May’s work probably needs more juice because these comedies are still pretty deep cut and out of print with only “Mikey and Nicky” and “Ishtar” on streaming. Fortunately, online movie nerds come through in a pinch, so until Elaine May’s movies get the Criterion box set treatment (including “Ishtar”), here’s a link to the film we’re discussing: https://archive.org/details/the-heartbreak-kid.-1972.-dvdrip.-xvi-d-vli-s Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
 
It’s the start of week 2 for January’s theme of “5 DIRECTORS” and we encountered this week’s director when we discussed “Ishtar” last April. An interesting story on film and behind the scenes. The director of that film would not direct another movie again. But before this, comedy writer, performer and producer Elaine May had three previous films under her belt so for week two we talk up the rest of Elaine May’s directorial filmography. Today we hit up a pretty delightful film debut written for the screen by her from a Jack Ritchie Story. Elaine May would find herself in the director’s chair and, though it wasn’t her intention, she also stars in it. We’re discussing an underrated comedy from 1971 called “A NEW LEAF” that also stars Walter Matthau, George Rose, Jack Weston and James Coco. Matthau is Henry Graham, a middle aged trust fund kid who just ran out of money and he has a scheme to pay his Uncle back some borrowed cash by finally settling down his closeted bachelor ways and marrying a well-to-do woman. Women disgust him in general but he finally meets Henrietta, an heiress botanist who doesn’t act very stereotypically wealthy. She’s quite strange and messy so he plans on killing this perfect woman for her money. Walter Matthau and George Rose are quite great in this. Fairly deep cut and quite out of print but we found an archive link to this one: https://archive.org/details/a-new-leaf-1971-br Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
 
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The Projectors
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Week one of January’s theme of 5 DIRECTORS ends with our last of David Lynch’s first three films and it’s one that he sometimes disavows but also one that led to a long standing relationship with actor Kyle MacLachlan. It seemed like it was nothing less than a miracle to adapt Frank Herbert’s “DUNE” to film considering the brick wall that many directors encountered upon attempt. Denis Villeneuve finally pulled something off but for the longest time the lone attempt at adapting this imaginative science fiction story rested solely on the shoulders of David Lynch. Divisive in it’s time, his 1984 “DUNE” has it’s fans and it hosts a cavalcade of actors alongside MacLachlan’s Paul Atriedes including Jose Ferrer, Virginia Madsen, Patrick Stewart, Sting, Brad Dourif as well as many more players that would find homes in Lynch’s filmography. It’s too damn hard to discuss this movie and not compare it to the recent releases and we fail at not doing so, but Lynch’s “Dune” has its own richness. It’s own spice. It thrives in some points and is maybe slightly laughable in others but there is no less imagination and is a site to behold in terms of the era’s effects and Lynch’s ideas. Go see why 1984’s “Dune” holds a place for so many even after all these years then hear us tell of it. We found you a link right here: https://archive.org/details/Dune19843640x272435mb Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
 
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