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İçerik Telegraph Road Productions and Filmspotting Network tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Telegraph Road Productions and Filmspotting Network veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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#426: Playing the Hits, Pt. 2 — The Fall Guy

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Manage episode 419358814 series 1000183
İçerik Telegraph Road Productions and Filmspotting Network tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Telegraph Road Productions and Filmspotting Network veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

Like the first film in this pairing, Richard Rush’s 1980 oddity THE STUNT MAN, David Leitch’s new THE FALL GUY utilizes the chaos of a film set as the cover for a crime, not to mention the inspiration for both romance and comedy. THE FALL GUY is a bit more straightforward in its crowd-pleasing intentions, though, to both its benefit and detriment, which we talk through in sharing our reactions to the new film. Then we bring THE STUNT MAN back in to compare its overlapping but distinct ideas about stunt performers who inspire their directors, get romantically involved with their co-workers, and confront their own deaths as a matter of course. And in Your Next Picture Show we offer another pairing of films that have nothing to do with this week’s movies, but which we are nonetheless excited to recommend.

Please share your comments, thoughts, and questions about THE STUNT MAN, THE FALL GUY, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Next Pairing: Jane Schoenbrunn’s I SAW THE TV GLOW and Richard Kelly’s DONNIE DARKO

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

437 bölüm

Artwork
iconPaylaş
 
Manage episode 419358814 series 1000183
İçerik Telegraph Road Productions and Filmspotting Network tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Telegraph Road Productions and Filmspotting Network veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

Like the first film in this pairing, Richard Rush’s 1980 oddity THE STUNT MAN, David Leitch’s new THE FALL GUY utilizes the chaos of a film set as the cover for a crime, not to mention the inspiration for both romance and comedy. THE FALL GUY is a bit more straightforward in its crowd-pleasing intentions, though, to both its benefit and detriment, which we talk through in sharing our reactions to the new film. Then we bring THE STUNT MAN back in to compare its overlapping but distinct ideas about stunt performers who inspire their directors, get romantically involved with their co-workers, and confront their own deaths as a matter of course. And in Your Next Picture Show we offer another pairing of films that have nothing to do with this week’s movies, but which we are nonetheless excited to recommend.

Please share your comments, thoughts, and questions about THE STUNT MAN, THE FALL GUY, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Next Pairing: Jane Schoenbrunn’s I SAW THE TV GLOW and Richard Kelly’s DONNIE DARKO

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

437 bölüm

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