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İçerik The IILAH podcast, Institute of International Law, and The Humanities tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan The IILAH podcast, Institute of International Law, and The Humanities veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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Jonas Staal: Propaganda Art in the 21st Century (Lecture)

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İçerik The IILAH podcast, Institute of International Law, and The Humanities tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan The IILAH podcast, Institute of International Law, and The Humanities veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
Terms such as “fake news” and “alternative facts” have become common vocabulary in the so-called post-truth era. But there is a sense in which these are just contemporary iterations of a familiar phenomenon: propaganda. Propaganda is not merely concerned with sending messages – its aim is to construct reality as such. How is propaganda employed today in alt-right regimes, the ongoing War on Terror and corporate climate crimes? How do art and culture visualize and stage new realities in the making? And what alternative practices of emancipatory propaganda emerge from popular mass movements and stateless insurgencies? In this introduction to his book Propaganda Art in the 21st Century(MIT Press: 2019), artist Jonas Staal elaborates on what he describes as today’s arena of the propaganda(art)struggle. Jonas Staal is a visual artist whose work deals with the relation between art, propaganda, and democracy. His projects have been exhibited widely at venues such as the Stedelijk Museum in Amsterdam and Moderna Museet in Stockholm, as well as the 7th Berlin Biennial (2012), the 31st São Paulo Biennale (2014), The Oslo Architecture Triennale (2016) and the Warsaw Biennale (2019). Recent publications and catalogs include Nosso Lar, Brasília (Jap Sam Books, 2014), Stateless Democracy (with co-editors Dilar Dirik and Renée In der Maur, BAK, 2015), Steve Bannon: A Propaganda Retrospective (Het Nieuwe Instituut, 2018) and Propaganda Art in the 21st Century (MIT Press, 2019). Staal completed his PhD research on propaganda art at the PhD Arts program of Leiden University, The Netherlands.
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39 bölüm

Artwork
iconPaylaş
 
Manage episode 313332785 series 3266644
İçerik The IILAH podcast, Institute of International Law, and The Humanities tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan The IILAH podcast, Institute of International Law, and The Humanities veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
Terms such as “fake news” and “alternative facts” have become common vocabulary in the so-called post-truth era. But there is a sense in which these are just contemporary iterations of a familiar phenomenon: propaganda. Propaganda is not merely concerned with sending messages – its aim is to construct reality as such. How is propaganda employed today in alt-right regimes, the ongoing War on Terror and corporate climate crimes? How do art and culture visualize and stage new realities in the making? And what alternative practices of emancipatory propaganda emerge from popular mass movements and stateless insurgencies? In this introduction to his book Propaganda Art in the 21st Century(MIT Press: 2019), artist Jonas Staal elaborates on what he describes as today’s arena of the propaganda(art)struggle. Jonas Staal is a visual artist whose work deals with the relation between art, propaganda, and democracy. His projects have been exhibited widely at venues such as the Stedelijk Museum in Amsterdam and Moderna Museet in Stockholm, as well as the 7th Berlin Biennial (2012), the 31st São Paulo Biennale (2014), The Oslo Architecture Triennale (2016) and the Warsaw Biennale (2019). Recent publications and catalogs include Nosso Lar, Brasília (Jap Sam Books, 2014), Stateless Democracy (with co-editors Dilar Dirik and Renée In der Maur, BAK, 2015), Steve Bannon: A Propaganda Retrospective (Het Nieuwe Instituut, 2018) and Propaganda Art in the 21st Century (MIT Press, 2019). Staal completed his PhD research on propaganda art at the PhD Arts program of Leiden University, The Netherlands.
  continue reading

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