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İçerik Film Comment and Film Comment Magazine tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Film Comment and Film Comment Magazine veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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Jonathan Rosenbaum on his new book, In Dreams Begin Responsibilities

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Manage episode 431496782 series 115441
İçerik Film Comment and Film Comment Magazine tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Film Comment and Film Comment Magazine veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
The guest on this week’s episode will need little introduction to anyone who reads film criticism or follows film culture. Jonathan Rosenbaum, one of the most prolific and respected critics of the last half-century, began his career at publications like Film Comment and Sight and Sound in the ’70s, and later became known for his writing at The Chicago Reader. More recently, he’s gained notice for his website, jonathanrosenbaum.net. He is known for his erudite yet accessible writing, and his championing of international cinema, among other things. No less a figure than Jean-Luc Godard once compared him to Andre Bazin. Jonathan is also the author of numerous books and collections of film writing, the latest of which, In Dreams Begin Responsibilities, has just been published by Hat & Beard Press. He describes the career-spanning, chronologically arranged collection as an autobiography of sorts, opening with his earliest published film review from his college days at Bard, before diverging into his many non-film interests. The collection also includes his writings on jazz and literature, and emphasizes Jonathan’s uniquely syncretic approach to criticism. Jonathan joined FC editors Devika Girish and Clinton Krute via Zoom from his home in Chicago to discuss this new book, his time as Film Comment’s Paris correspondent, his appearance as an extra in a Bresson film, and much, much more.
  continue reading

519 bölüm

Artwork
iconPaylaş
 
Manage episode 431496782 series 115441
İçerik Film Comment and Film Comment Magazine tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Film Comment and Film Comment Magazine veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
The guest on this week’s episode will need little introduction to anyone who reads film criticism or follows film culture. Jonathan Rosenbaum, one of the most prolific and respected critics of the last half-century, began his career at publications like Film Comment and Sight and Sound in the ’70s, and later became known for his writing at The Chicago Reader. More recently, he’s gained notice for his website, jonathanrosenbaum.net. He is known for his erudite yet accessible writing, and his championing of international cinema, among other things. No less a figure than Jean-Luc Godard once compared him to Andre Bazin. Jonathan is also the author of numerous books and collections of film writing, the latest of which, In Dreams Begin Responsibilities, has just been published by Hat & Beard Press. He describes the career-spanning, chronologically arranged collection as an autobiography of sorts, opening with his earliest published film review from his college days at Bard, before diverging into his many non-film interests. The collection also includes his writings on jazz and literature, and emphasizes Jonathan’s uniquely syncretic approach to criticism. Jonathan joined FC editors Devika Girish and Clinton Krute via Zoom from his home in Chicago to discuss this new book, his time as Film Comment’s Paris correspondent, his appearance as an extra in a Bresson film, and much, much more.
  continue reading

519 bölüm

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