Series vs. Stand Alone

Right Here Write Queer

Five indie authors weigh the benefits of writing interconnected books as a series or specializing in telling single stories, including the shiny lure of a fresh story idea, getting to know intriguing new characters compared to settling in for another adventure with old friends, the challenge of crafting a sequel as compelling as its predecessor, and whether readers are more willing to follow an author into a bold new direction or return to familiar ground.

RK Ashwick (she/her) is the author of the Sidequest Row series (beginning with A Rival Most Vial) and the Lutesong series (beginning with The Stray Spirit). You can connect with her at her website: rkashwick.com

Noah Hawthorne (he/they), also writing as Aelina Isaacs, is the author of the Adventures in Levena series (beginning with Phantom and Rook) and the stand alone novel The Rebel Foxes. You can connect with him at their website: neshamapublishing.com

S. O. Callahan (she/her) is the author of the Fella Enchanted duology and co-author of the Fae & Human Relations series (beginning with Breeze Spells and Bridegrooms). You can connect with her on Instagram @s.o.callahan

Sarah Wallace (they/she) is the author of the Meddle & Mend series (beginning with Letters to Half Moon Street) and co-author of the Fae & Human Relations series (beginning with Breeze Spells and Bridegrooms). You can connect with them at their website: sarahwallacewriter.com

Sebastian Nothwell (he/him) is the author of the Aubrey & Lindsey series (beginning with Mr Warren’s Profession), the Oak King Holly King series (beginning with Oak King Holly King), and the stand alone novels Hold Fast, Fiorenzo, and The Haunting of Heatherhurst Hall. You can connect with him at his website: sebastiannothwell.com