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İçerik SAL/on air and Seattle Arts tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan SAL/on air and Seattle Arts veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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Philip Roth
Manage episode 213101454 series 2317224
İçerik SAL/on air and Seattle Arts tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan SAL/on air and Seattle Arts veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
In our latest episode of SAL/on air, we hear from one of the pre-eminent authors of the 20th century—Philip Roth. He joined us back in October 1992 for a reading from his National Book Award-winning memoir, Patrimony: A True Story. Written with great intimacy at the height of his literary powers, Patrimony is Roth’s elegy to his father, who he accompanies, full of love and dread, through each stage of terminal brain cancer. As he does so, Roth wrestles with the stubborn, survivalist drive that distinguished Herman Roth’s engagement with life, and his own anxieties around remembering the man with precision. “You mustn’t forget anything – that’s the inscription on [my father’s] coat of arms,” Roth writes. “To be alive, to him, is to be made of memory.” At the conclusion of Roth’s reading, he takes questions from the audience. Sadly, Roth passed away in May 2018 at the age of eighty-five, after a long and vital career of investigating what it meant for him to be an American, a Jew, a writer, and a man, through many different masks. He once said: “Updike and Bellow hold their flashlights out into the world, reveal the world as it is now. I dig a hole and shine my flashlight into the hole.”
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46 bölüm
Manage episode 213101454 series 2317224
İçerik SAL/on air and Seattle Arts tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan SAL/on air and Seattle Arts veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
In our latest episode of SAL/on air, we hear from one of the pre-eminent authors of the 20th century—Philip Roth. He joined us back in October 1992 for a reading from his National Book Award-winning memoir, Patrimony: A True Story. Written with great intimacy at the height of his literary powers, Patrimony is Roth’s elegy to his father, who he accompanies, full of love and dread, through each stage of terminal brain cancer. As he does so, Roth wrestles with the stubborn, survivalist drive that distinguished Herman Roth’s engagement with life, and his own anxieties around remembering the man with precision. “You mustn’t forget anything – that’s the inscription on [my father’s] coat of arms,” Roth writes. “To be alive, to him, is to be made of memory.” At the conclusion of Roth’s reading, he takes questions from the audience. Sadly, Roth passed away in May 2018 at the age of eighty-five, after a long and vital career of investigating what it meant for him to be an American, a Jew, a writer, and a man, through many different masks. He once said: “Updike and Bellow hold their flashlights out into the world, reveal the world as it is now. I dig a hole and shine my flashlight into the hole.”
…
continue reading
46 bölüm
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×As a reporter, Patrick Radden Keefe holds two disparate truths together with unparalleled skill: there are facts, and there is a story. In his work as a staff writer at The New Yorker, Keefe has showcased this talent in long form articles ranging from Anthony Bourdain to the hunt for the drug lord Chapo Guzman, and in his nonfiction books he has entranced a generation of readers. Keefe joined SAL in the summer of 2021 over Zoom to discuss his recent smash hit books, and while there is no thrum and cheer of a crowded auditorium in this recording, Keefe’s words bring all the light and crackle on their own. From how he began Say Nothing by reading an obituary of an unknown woman, to uncovering the moral bankruptcy of the Sackler family in Empire of Pain, Keefe has unearthed stories that must be told, with every fact both a pickaxe and a vein of gold.…
At the beginning of the pandemic Charles Yu wrote an essay on the experience, which many noted, had a cinematic slant to it. “Five hundred years ago,” Yu wrote, “What we really mean when we say that this pandemic feels “unimaginable” is that we had not imagined it. Just as imagination can mislead us, though, it will be imagination—scientific, civic, moral—that helps us find new ways of doing things, helps remind us of how far we have to go as a species.” Having worked as both a television writer and a poet in addition to writing novels, Yu’s imagination is boundless, generous, and vivid. And while his path to his award-winning book, Interior Chinatown, was long and zigzagging, there was endless imagination to keep him going.…
As Chris Abani once stated, “The art is never about what you write about. The art is about how you write about what you write about.” Here, we find Abani’s "how" thick with feeling, braided by nimble and swift metaphors, and shaped by mercurial forms. Imprisoned several times for his political writing, Abani does not shy away from the messy reality of exile, both in geography, culture, and memory. Following the reading, Abani is joined by poet and theologian Pádraig Ó Tuama for a conversation in which he discusses history, West African mythology, and how language continues to change within and around us. Abani reminds that poetry at its greatest, will always resist time.…
Nikky Finney is not only a poet but a storyteller, the kind of voice that weaves through the air in a room until every person there feels that much closer together. Her poems travel the world, from her home in South Carolina to the stage at the National Book Awards where she was lauded for her prizewinning book Head Off & Split. The journeys Finney guides her readers on across the page are filled with curiosity and overflowing with lush sound until you feel sure you would follow her anywhere.…

1 Youth Poet Laureate: Mateo Acuña 45:35
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In this episode of SAL/on air, two poets from SAL's Youth Poetry Fellowship, Mateo Acuña and Aamina Mughal, talk about access to arts education, finding community in Seattle's literary scene, and about Mateo's forthcoming chapbook, "Dear Spanish." Published by Poetry Northwest Editions, "Dear Spanish" is an inquiry into identity, desire, and belonging to one's self.…
For James Tate, comedy and tragedy are inextricably linked within poetry. They appear as dual facets of ordinary life—the mundane and the extraordinary as one. As you’ll hear in this recording from February 2003, this is laugh-out-loud poetry that wanders from the baseball field to the petting zoo and back home. And yet, after the laughter, you’ll often find yourself catapulted into quiet, left to consider how this world breaks your heart again and again.…
The works of Barbara Kingsolver have shaped a generation of readers. From her first novel The Bean Trees and beyond, Kingsolver’s characters speak to us, cradle our faces in their hands and exchange their hearts for ours. We were thrilled to recently welcome Kingsolver back to SAL in October of 2023 for a discussion of her Pulitzer Prize-winning masterpiece Demon Copperhead.…
When Dean Young took the stage in October of 2012 to read from his Copper Canyon Press collection, Bender, we were incredibly fortunate to bear witness to his humorous, irreverent, and fearless poetry. We were deeply saddened to hear of his passing in August 2022, and we continue to treasure his voice as it lives on in his work.…
In October of 2003, Sandra Cisneros joined us for an evening 20 years after the publication of her luminous work The House on Mango Street. Now, we have the chance to listen again with reverence, 40 years after that seminal book first came into our lives, and we are reminded more than ever of the importance of spending time with work that not only gratifies us but changes our lives.…
In September 2019, Malcolm Gladwell stepped on stage at Benaroya Hall as part of SAL’s Literary Arts Series to discuss his book Talking to Strangers. That night, his talk brought us into the complicated layers that underlie our most fraught and violent interactions. The Los Angeles Times called Talking to Strangers “a compelling, conversation-starting read.” It’s a thoughtful and nuanced meditation on how we see others, and how we see the world. Like all of Gladwell’s work, brilliant storytelling and razor sharp-observations carry us to understand the world in new ways.…
In A Gentleman in Moscow, the subject of Amor Towles' 2019 SAL lecture, the ever-charming Count Rostov says, “By their very nature, human beings are so capricious, so complex, so delightfully contradictory, that they deserve not only our consideration, but our reconsideration—and our unwavering determination to withhold our opinion until we have engaged with them in every possible setting at every possible hour.” It takes an extraordinary writer to create a thirty-year history of a Count trapped inside a Moscow hotel and make every page feel propulsive. But that’s exactly the plot of Amor Towles’ A Gentleman in Moscow—and that’s exactly the kind of writer Towles is. Amor Towles writes books worth considering and reconsidering, that delight in every possible setting, at every possible hour. Whether he is exploring Russian history or a 1950s road trip, Towles creates rich and nuanced worlds filled with both daily joys and fascinating characters. Join us for this episode of SAL/on air, which takes us through the research process of A Gentleman in Moscow, which spent over a year on the New York Times bestseller list.…
Richard Powers’ characters are often both artists and scientists—disciplines he sees as intertwined. In a delicious moment in this March 2008 reading, he describes the commonality between art and science as a state of “bewilderment,” which happens to be the title of his new book, released thirteen years later in September 2021. In this recording, Powers shares a short story called “Modulation.” A story that draws on Powers’ knowledge of music and technology, “Modulation” centers on the global dissemination of a musical computer virus. Powers’ work embodies this spirit of marveling and wondering in a most bewildering way. His writing describes in Technicolor detail our most ephemeral human experiences, yet his precision doesn’t define; instead, it expands our awe and pondering long after his tales are over.…

1 Dean Baquet, Timothy Egan, & Jim Rainey 1:11:42
1:11:42
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Dean Baquet, the executive editor of the New York Times, and Jim Rainey, an award-winning reporter with the Los Angeles Times, spoke with hometown hero Timothy Egan in March of 2019 about the importance of investigative journalism and the path forward for media in this political era. These veteran journalists discuss how investigative reporting has changed over time, and what audiences expect and demand from the media today. They share challenges that reporters face when reporting from the field. “We allowed ourselves to become mysterious; as a result, people saw us as elites in an ivory tower,” Dean Baquet says. Jim Rainey agrees, adding, “When we go out now, it's not just what we write. It's how we conduct ourselves. How empathetic we are. And so—I think, correctly—we have a lot to prove.” These reflections set the tone for a lively conversation about transparency, credibility, and truth. With wit and honesty, they shine a spotlight on what the media can and should do better in an era of disinformation. They look to the future of newspapers: from print journalism (here to stay, they insist) and paid content, to podcasts and interactive digital storytelling. They also discuss ways in which journalists—young and old—mentor each other today.…
In this talk, recorded in March of 2010, former U. S. Poet Laureate Rita Dove shared poems from her then-new book, Sonata Mulattica. This collection tells the story of George Augustus Polgreen Bridgetower. Previously just a footnote in Beethoven’s biography, Bridgetower—who was a Black violinist—had a sonata dedicated to him, and then, after a falling out over a girl, found that same sonata renamed. In this groundbreaking book, Dove tells Bridgetower’s story and restores one piece of lost history of African Americans in classical music. Without Dove to revive his story, Bridgetower may have been lost to time. Dove once noted, “There’s always been a special place in my work for people who drop out of history.” In this reading, which feels like an intimate fireside chat, she brings George Polgreen Bridgetower to life for an audience in whose minds he lives still. Let’s rekindle his spirit once again, and hear what Dove’s writings—and Bridgetower’s life and music—continue to tell us today.…
At the start of this reading, which includes poems in English and Polish, Zagajewski says, “As long as you write new poems, you are alive. It’s the only proof of this.” Zagajewski died this March, but his poems remain with us—proof he was alive and lives still. In a poetic twist of fate, the date of Zagajewski’s passing was the same as the evening he read at Seattle Arts & Lectures—exactly nineteen years earlier. This reading by Adam Zagajewski, recorded in March 2001, was postponed from its original date by the forces of Mother Nature. On February 28, 2001, the Nisqually Earthquake struck. In wry form, Zagajewski banters about the interplay between reality and poetry, life and art. He notes thematic links between his book Tremor, his poem Lava, and the shaking earth that brought daily life in the Pacific Northwest to a halt. The pre-eminent Polish poet of his generation, Zagajewski’s early work was political in nature. He sought to illuminate conditions in western Poland post-World War II: “the bitter bread of urgency and contemporaneity.” With insight and imagination, Zagajewski’s poems depict the surreal experience of daily life in a totalitarian state following the Soviet takeover of his hometown, Lvov, in present-day Ukraine.…
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