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İçerik Rock's Backpages, Barney Hoskyns, Mark Pringle, and Jasper Murison-Bowie tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Rock's Backpages, Barney Hoskyns, Mark Pringle, and Jasper Murison-Bowie veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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E159: Vernon Gibbs on Marvin Gaye + Talking Heads + A&R at Arista

1:15:42
 
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Manage episode 375560662 series 2573647
İçerik Rock's Backpages, Barney Hoskyns, Mark Pringle, and Jasper Murison-Bowie tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Rock's Backpages, Barney Hoskyns, Mark Pringle, and Jasper Murison-Bowie veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

In this episode we're delighted to invite Vernon Gibbs to look back on his career as a pioneering soul scribe and A&R man.

Vernon begins by describing his early years as a scholarship student who took the G train from Brooklyn to school on Manhattan's Upper East Side — and his formative years at NYC's Columbia University. He describes how he fell in with the counterculture and began writing about music for the Columbia Daily Spectator. A discussion follows of pieces he wrote about the death of Jimi Hendrix and — later, for NME — the decline of Sly Stone. He also talks about contributing to Crawdaddy! and other rock publications in the mid-'70s.

The 50th anniversary of Marvin Gaye's Let's Get It On gives Vernon's hosts a chance to ask about the 1974 interview he did with the Motown superstar for Zoo World. He then explains how he was hired for A&R positions at Mercury and — more notably — Clive Davis' Arista label, where he worked with P-Funk offshoot Quazar and 'Disco Nights' hitmakers GQ.

Vernon's return to music journalism takes us into a discussion of the downtown New York punk scene and a 1983 Creem interview in which Richard Hell defines "the blank generation". This in turn leads to clips from Jim Sullivan's 1996 audio interview with Talking Heads' Tina Weymouth — and Vernon's thoughts on that most un-punk of CBGB bands — in the week when Jonathan Demme's concert documentary Stop Making Sense is given well-deserved a cinematic re-release.

After Mark quotes from archive interviews with Philly International legend Kenny Gamble (1976), L.A. bete noire Kim Fowley (1979) and smoooooth jazz man Kenny G (1988), Jasper rounds off the episode with his thoughts on Lloyd Bradley's celebration of London's Harlesden scene (2001), Def Jam rapper Ludacris (2005) and "jazz-rock" trio the Bad Plus (2013).

Many thanks to special guest Vernon Gibbs.

Pieces discussed: Jimi Hendrix, Sly Stone, Marvin Gaye, Let's Get It On, Richard Hell, Talking Heads' Tina Weymouth audio, Gamble & Huff, Kenny G, Kim Fowley, Do the Harlesden Shuffle, Ludacris and The Bad Plus.

  continue reading

190 bölüm

Artwork
iconPaylaş
 
Manage episode 375560662 series 2573647
İçerik Rock's Backpages, Barney Hoskyns, Mark Pringle, and Jasper Murison-Bowie tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Rock's Backpages, Barney Hoskyns, Mark Pringle, and Jasper Murison-Bowie veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

In this episode we're delighted to invite Vernon Gibbs to look back on his career as a pioneering soul scribe and A&R man.

Vernon begins by describing his early years as a scholarship student who took the G train from Brooklyn to school on Manhattan's Upper East Side — and his formative years at NYC's Columbia University. He describes how he fell in with the counterculture and began writing about music for the Columbia Daily Spectator. A discussion follows of pieces he wrote about the death of Jimi Hendrix and — later, for NME — the decline of Sly Stone. He also talks about contributing to Crawdaddy! and other rock publications in the mid-'70s.

The 50th anniversary of Marvin Gaye's Let's Get It On gives Vernon's hosts a chance to ask about the 1974 interview he did with the Motown superstar for Zoo World. He then explains how he was hired for A&R positions at Mercury and — more notably — Clive Davis' Arista label, where he worked with P-Funk offshoot Quazar and 'Disco Nights' hitmakers GQ.

Vernon's return to music journalism takes us into a discussion of the downtown New York punk scene and a 1983 Creem interview in which Richard Hell defines "the blank generation". This in turn leads to clips from Jim Sullivan's 1996 audio interview with Talking Heads' Tina Weymouth — and Vernon's thoughts on that most un-punk of CBGB bands — in the week when Jonathan Demme's concert documentary Stop Making Sense is given well-deserved a cinematic re-release.

After Mark quotes from archive interviews with Philly International legend Kenny Gamble (1976), L.A. bete noire Kim Fowley (1979) and smoooooth jazz man Kenny G (1988), Jasper rounds off the episode with his thoughts on Lloyd Bradley's celebration of London's Harlesden scene (2001), Def Jam rapper Ludacris (2005) and "jazz-rock" trio the Bad Plus (2013).

Many thanks to special guest Vernon Gibbs.

Pieces discussed: Jimi Hendrix, Sly Stone, Marvin Gaye, Let's Get It On, Richard Hell, Talking Heads' Tina Weymouth audio, Gamble & Huff, Kenny G, Kim Fowley, Do the Harlesden Shuffle, Ludacris and The Bad Plus.

  continue reading

190 bölüm

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