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İçerik Ben Youatt and Immediate Media tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Ben Youatt and Immediate Media veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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Dolly Wells on ambition, the beauty of ageing and Emily Mortimer

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Manage episode 426695298 series 2981039
İçerik Ben Youatt and Immediate Media tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Ben Youatt and Immediate Media veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

Joining me, Kelly-Anne Taylor, this week is the writer, director and actor, Dolly Wells. She grew up off of Kensington High Street in London – the youngest of six children. Aged 18 – she discovered that her stepfather was actually her biological father – the great comic actor, John Wells. In her 20s, Dolly worked as an actress – but also as a photographer’s assistant, she had a stall in Portobello Market and wrote book reviews for the express. It was only when she had her daughter in her 30s that she really decided to go for it. Since then, she’s made her mark – and there seems to be very little that she can’t do. She’s played a vampire-hunting nun in Steven Moffat’s Dracula, a woman locked in a basement with David Tennant in Inside Man and an incompetent assistant in the Sky comedy Doll & Em (which, she co-wrote with her best friend, the actress, Emily Mortimer). Now, she turns her hand to directing BBC3’s A Good Girl’s Guide to Murder – which follows a bright-eyed, precocious teenager Pip (who decides to investigate the unsolved murder of a schoolgirl. In this episode, we talk about the beauty of ageing, her life-changing friendship with Emily Mortimer, and how female directors are changing the industry.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

  continue reading

253 bölüm

Artwork
iconPaylaş
 
Manage episode 426695298 series 2981039
İçerik Ben Youatt and Immediate Media tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Ben Youatt and Immediate Media veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

Joining me, Kelly-Anne Taylor, this week is the writer, director and actor, Dolly Wells. She grew up off of Kensington High Street in London – the youngest of six children. Aged 18 – she discovered that her stepfather was actually her biological father – the great comic actor, John Wells. In her 20s, Dolly worked as an actress – but also as a photographer’s assistant, she had a stall in Portobello Market and wrote book reviews for the express. It was only when she had her daughter in her 30s that she really decided to go for it. Since then, she’s made her mark – and there seems to be very little that she can’t do. She’s played a vampire-hunting nun in Steven Moffat’s Dracula, a woman locked in a basement with David Tennant in Inside Man and an incompetent assistant in the Sky comedy Doll & Em (which, she co-wrote with her best friend, the actress, Emily Mortimer). Now, she turns her hand to directing BBC3’s A Good Girl’s Guide to Murder – which follows a bright-eyed, precocious teenager Pip (who decides to investigate the unsolved murder of a schoolgirl. In this episode, we talk about the beauty of ageing, her life-changing friendship with Emily Mortimer, and how female directors are changing the industry.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

  continue reading

253 bölüm

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