“LA Made” is a series exploring stories of bold Californian innovators and how they forever changed the lives of millions all over the world. Each season will unpack the untold and surprising stories behind some of the most exciting innovations that continue to influence our lives today. Season 2, “LA Made: The Barbie Tapes,” tells the backstory of the world’s most popular doll, Barbie. Barbie is a cultural icon but what do you really know about her? Hear Barbie's origin story from the peopl ...
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İçerik Adam Zwar tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Adam Zwar veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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S1E63: Shaun Grant
MP3•Bölüm sayfası
Manage episode 304823568 series 2342971
İçerik Adam Zwar tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Adam Zwar veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
Welcome to the 63rd episode of Ten Questions where Adam talks to Shaun Grant - the multi-AACTA Award winning screenwriter of Nitram.
Shaun’s debut film, Snowtown, about the infamous Snowtown murders in South Australia in the 1990s – won multiple awards and screened at Critics’ Week at the 2011 Cannes Film Festival.
And that’s when Shaun’s career took off – writing the feature films Jasper Jones, Berlin Syndrome, Penguin Bloom, The True Story of the Kelly Gang and Nitram.
He also wrote for David Fincher’s Mindhunter on Netflix and the mini-series, Deadline Gallipoli.
He’s possibly Australia’s most in demand screenwriter, known for his willingness to tackle the weighty emotional subjects that others might see as too dangerous or too difficult to make.
Nitram premiered at Cannes a few months ago where the response to the film was unaminously positive. And that’s where my conversation with Shaun started.
When asked about the time he was most happy, he said “now”. And he wasn’t just referring to his professional success, which he credits as being partly due to his continuing working relationship with the director Justin Kurzel, but also the fact that he’d recently got married.
"The violence isn’t on the screen. It’s not that what interests me. It’s what leads to it."
More about Out of the Question: https://www.nearly.com.au/out-of-the-question-with-adam-zwar/
See omnystudio.com/listener for privacy information.
This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mrzwar.substack.com
…
continue reading
Shaun’s debut film, Snowtown, about the infamous Snowtown murders in South Australia in the 1990s – won multiple awards and screened at Critics’ Week at the 2011 Cannes Film Festival.
And that’s when Shaun’s career took off – writing the feature films Jasper Jones, Berlin Syndrome, Penguin Bloom, The True Story of the Kelly Gang and Nitram.
He also wrote for David Fincher’s Mindhunter on Netflix and the mini-series, Deadline Gallipoli.
He’s possibly Australia’s most in demand screenwriter, known for his willingness to tackle the weighty emotional subjects that others might see as too dangerous or too difficult to make.
Nitram premiered at Cannes a few months ago where the response to the film was unaminously positive. And that’s where my conversation with Shaun started.
When asked about the time he was most happy, he said “now”. And he wasn’t just referring to his professional success, which he credits as being partly due to his continuing working relationship with the director Justin Kurzel, but also the fact that he’d recently got married.
"The violence isn’t on the screen. It’s not that what interests me. It’s what leads to it."
More about Out of the Question: https://www.nearly.com.au/out-of-the-question-with-adam-zwar/
See omnystudio.com/listener for privacy information.
This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mrzwar.substack.com
116 bölüm
MP3•Bölüm sayfası
Manage episode 304823568 series 2342971
İçerik Adam Zwar tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Adam Zwar veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
Welcome to the 63rd episode of Ten Questions where Adam talks to Shaun Grant - the multi-AACTA Award winning screenwriter of Nitram.
Shaun’s debut film, Snowtown, about the infamous Snowtown murders in South Australia in the 1990s – won multiple awards and screened at Critics’ Week at the 2011 Cannes Film Festival.
And that’s when Shaun’s career took off – writing the feature films Jasper Jones, Berlin Syndrome, Penguin Bloom, The True Story of the Kelly Gang and Nitram.
He also wrote for David Fincher’s Mindhunter on Netflix and the mini-series, Deadline Gallipoli.
He’s possibly Australia’s most in demand screenwriter, known for his willingness to tackle the weighty emotional subjects that others might see as too dangerous or too difficult to make.
Nitram premiered at Cannes a few months ago where the response to the film was unaminously positive. And that’s where my conversation with Shaun started.
When asked about the time he was most happy, he said “now”. And he wasn’t just referring to his professional success, which he credits as being partly due to his continuing working relationship with the director Justin Kurzel, but also the fact that he’d recently got married.
"The violence isn’t on the screen. It’s not that what interests me. It’s what leads to it."
More about Out of the Question: https://www.nearly.com.au/out-of-the-question-with-adam-zwar/
See omnystudio.com/listener for privacy information.
This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mrzwar.substack.com
…
continue reading
Shaun’s debut film, Snowtown, about the infamous Snowtown murders in South Australia in the 1990s – won multiple awards and screened at Critics’ Week at the 2011 Cannes Film Festival.
And that’s when Shaun’s career took off – writing the feature films Jasper Jones, Berlin Syndrome, Penguin Bloom, The True Story of the Kelly Gang and Nitram.
He also wrote for David Fincher’s Mindhunter on Netflix and the mini-series, Deadline Gallipoli.
He’s possibly Australia’s most in demand screenwriter, known for his willingness to tackle the weighty emotional subjects that others might see as too dangerous or too difficult to make.
Nitram premiered at Cannes a few months ago where the response to the film was unaminously positive. And that’s where my conversation with Shaun started.
When asked about the time he was most happy, he said “now”. And he wasn’t just referring to his professional success, which he credits as being partly due to his continuing working relationship with the director Justin Kurzel, but also the fact that he’d recently got married.
"The violence isn’t on the screen. It’s not that what interests me. It’s what leads to it."
More about Out of the Question: https://www.nearly.com.au/out-of-the-question-with-adam-zwar/
See omnystudio.com/listener for privacy information.
This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mrzwar.substack.com
116 bölüm
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