Can Journalists Save the Planet?

MIT Comparative Media Studies/Writing

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İçerik MIT Comparative Media Studies/Writing and Massachusetts Institute of Technology tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan MIT Comparative Media Studies/Writing and Massachusetts Institute of Technology veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

State Secrets: Inside The Making Of The Electric State

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The Secret To Getting Inspired: Millie Bobby Brown & Chris Pratt Go Behind The Scenes 21:04

7 weeks önce21:04

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21:04

Step into the mysterious and visually stunning world of The Electric State as host Francesca Amiker takes you behind the scenes with the creative masterminds who brought Simon Stålenhag’s dystopian vision to life. In this premiere episode, directors Joe and Anthony Russo, stars Millie Bobby Brown and Chris Pratt, writers Christopher Markus and Stephen McFeely, and producers Angela Russo-Otstot and Chris Castaldi reveal how they transformed a haunting graphic novel into an epic cinematic experience. Watch The Electric State coming to Netflix on March 14th. Check out more from Netflix Podcasts . State Secrets: Inside the Making of The Electric State is produced by Netflix and Treefort Media.…

5 yıl önce 1:52:01

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The Amazon is burning. Coral reefs are dying. Glaciers are melting, and as Earth gets pushed to its brink, journalists who can translate the impact of climate change and hold the powerful accountable are more needed than ever. Climate reporters Kendra Pierre-Louis (New York Times) and Lisa Song (ProPublica) head to the MIT Communications Forum to discuss the media’s role in illuminating environmental issues, promoting environmental justice and ethics, and the future of climate journalism. Beth Daley, Editor and General Manager for The Conversation, will moderate.

407 bölüm

#Media Studies #Media #Business #Industries #Podcasting Education #The MIT Comparative Media StudiesWriting #Massachusetts Institute Of Technology

Can Journalists Save the Planet?

MIT Comparative Media Studies/Writing

55 subscribers

published 5 yıl önce

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407 bölüm

#Media Studies #Media #Business #Industries #Podcasting Education #The MIT Comparative Media StudiesWriting #Massachusetts Institute Of Technology

Minden epizód

1
Bernard Geoghegan, “Learning to Code: From Information Theory to French Theory” 1:18:06

2 years önce1:18:06

1:18:06

How and why, in the latter half of the twentieth century, did informatic theories of “code” developed around cybernetics and information theory take root in research settings as varied as Palo Alto family therapy, Parisian semiotics, and new-fangled cultural theories ascendant at US liberal arts colleges? Drawing on his recently published book “Code: From Information Theory to French Theory,” and primary sources from the MIT archives, this talk explores how far-flung technocratic exercises in Asian colonies and MIT’s Research Laboratory of Electronics (RLE) inspired these varied and diverse audiences in a common dream of “learning to code.” The result is a new history of the ambitions behind the rise of “theory” in the US humanities, and the obscure ties of that endeavor to Progressive Era technocracy, US foundations, and the growing prestige of technology and engineering in 20th century life. Bernard Dionysius Geoghegan is a Reader in the History and Theory of Digital Media at King’s College London. An overarching theme of his research is how “cultural” and “humanistic” sciences shape—and are shaped by—digital media. His attention to cultural factors in technical systems also figured in his work as a curator, notably for the Anthropocene and Technosphere projects at the Haus der Kulturen der Welt. Duke University Press recently published his book Code: From Information Theory to French Theory (2023), based partly on archival research he undertook as a visiting PhD student at MIT around 2008.…

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Francesca Bolla Tripodi, “The Propagandists’ Playbook” 52:37

2 years önce52:37

52:37

The Propagandists’ Playbook: How Conservative Elites Manipulate Search and Threaten Democracy peels back the layers of the right-wing media manipulation machine to reveal why its strategies are so effective and pervasive, while also humanizing the people whose worldviews and media practices conservatism embodies. Based on interviews and ethnographic observations of two Republican groups over the course of the 2018 Virginia gubernatorial race-including the author’s firsthand experience of the 2017 Unite the Right rally, the book considers how Google algorithms, YouTube playlists, pundits, and politicians can manipulate audiences, reaffirm beliefs, and expose audiences to more extremist ideas, blurring the lines between reality and fiction. Francesca Bolla Tripodi is an assistant professor at the School of Information and Library Science at University of North Carolina, Chapel Hill, and a a research affiliate at the Data & Society Research Institute.…

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Lupe Fiasco presents “Rap Theory & Practice: an Introduction” 1:29:46

2 years önce1:29:46

1:29:46

An exploration into the underlying fundamental functions, structures, and principles of rap. Open to the public, the talk was hosted at MIT on November 30, 2022. Wasalu Jaco, professionally known as Lupe Fiasco, is a Chicago-born, Grammy award-winning American rapper, record producer, entrepreneur, and community advocate. Rising to fame in 2006, following the success of his debut album Food & Liquor, Lupe has released eight acclaimed studio albums, his latest being Drill Music In Zion, released in June 2022. His efforts to propagate conscious material garnered recognition as a Henry Crown Fellow, and he is a recipient of an MLK Visiting Professorship at MIT for the 2022/2023 academic year.…

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The Whole World Is Watching How 1968 Helps Us Frame The Present 1:10:33

3 years önce1:10:33

1:10:33

Professor Heather Hendershot's opening plenary from the "Bearing Witness, Seeking Justice" conference, with initial remarks by Dean Agustín Rayo and Tracie Jones, Assistant Dean for Diversity, Equity, and Inclusion. Hendershot is Professor of Comparative Media Studies at MIT. She studies television news, conservative media, political movements, and American film and television history. Her 2022 book is "When the News Broke: Chicago 1968 and the Polarizing of America", available from the University of Chicago Press: https://press.uchicago.edu/ucp/books/book/chicago/W/bo183630531.html…

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The Long & Ambiguous (pre)history Of Audiovisual In The Black Experience 57:39

3 years önce57:39

57:39

Full title: “Between freedom & oppression: The long & ambiguous (pre)history of audiovisual in the Black experience” Featuring Chakanetsa Mavhunga, Ekene Mekwunye, Jepchumba, and Russel Hlongwane. Chakanetsa Mavhunga is Professor of Science, Technology, and Society at the Massachusetts Institute of Technology. Mavhunga explores international history, theory, and practice of science, technology, innovation, and entrepreneurship, with a focus on Africa. Ekene Mekwunye is adjunct faculty at the School of Media and Communication, Pan-Atlantic University, Lagos, Nigeria, and an award-winning filmmaker, television producer-director, and photographer. Jepchumba is Founder and Creative Director of African Digital Art, a collective and creative space where digital artists seek inspiration, showcase their work, and connect with emerging artists. Russel Hlongwane is a cultural producer, curator of the arts, and creative industries consultant based in Durban, South Africa. His work bridges themes of heritage, modernity, culture, and tradition across artistic disciplines.…

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The Forensic Citizen Learning From The Past, Preparing For The Future 1:06:39

3 years önce1:06:39

1:06:39

William Uricchio is Professor of Comparative Media Studies at the Massachusetts Institute of Technology and founder of the MIT Open Documentary Lab, which brings together storytellers, technologists, and scholars to experiment with new documentary.

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Resilient Witnessing In The Face Of Human Rights Abuses, Distrust, And Deepfakes 1:03:05

3 years önce1:03:05

1:03:05

Sam Gregory is Director of Programs, Strategy & Innovation at WITNESS, which helps people use video and technology to protect human rights; studies relationship between emergent technologies, disinformation, media manipulation, & authoritarianism.

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Moving Images In Absentia Courtroom Looking In The Age Of Hyper - Mediation 57:24

3 years önce57:24

57:24

Kelli Moore is an Assistant Professor of Media, Culture, and Communication at New York University who examines how media and technology produce legal and political knowledge to inform public debates on visual literacy, race, and other issues.

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Mary Beth Meehan and Fred Turner, “Seeing Silicon Valley” 1:20:43

3 years önce1:20:43

1:20:43

Video also available at https://cms.mit.edu/video-seeing-silicon-valley-mary-beth-meehan-fred-turner. Acclaimed photographer Mary Beth Meehan and Silicon Valley historian and media scholar Fred Turner discuss their recently published and award-winning book Seeing Silicon Valley: Life inside a Fraying America, a collaborative exploration of the culture of Silicon Valley — not the culture of Elon Musk and Mark Zuckerberg that we see in the press, but the lives of the men and women who inhabit the Valley and make it work. If Silicon Valley is building the world’s future, Meehan and Turner argue, then we must learn to see through the tech industry’s marketing campaigns. We need to see the kind of society the tech industry is actually creating, in its own back yard. Fred Turner is the Harry and Norman Chandler Professor of Communication at Stanford University. Before coming to Stanford, he taught Communication at Harvard’s John F. Kennedy School of Government and MIT’s Sloan School of Management. He also worked for ten years as a journalist. He has written for newspapers and magazines ranging from the Boston Globe Sunday Magazine to Harper’s. Mary Beth Meehan is an independent photographer, writer, and educator, who has spent more than twenty years embedding herself in communities across the United States. Beginning in her native New England, and continuing in the Midwest, the American South and in Silicon Valley, her work, which combines image, text, and large-scale public installation, stems from her belief in a collaborative process that should function in and for the communities it reflects. Co-opting the scale of celebrity and advertising, Meehan’s portrait banners activate public spaces and spark conversations among and about the people who inhabit them.…

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Charles North - The William Corbett Poetry Series 01 38:02

3 years önce38:02

38:02

Charles North has published twelve books of poems, three books of critical prose, and collaborations with artists and other poets. With James Schuyler, he edited the poet/painter anthologies Broadway and Broadway 2. His New and Selected Poems What It Is Like (2011) headed NPR’s Best Poetry Books of the Year, and he has received a Foundation for Contemporary Arts Grant, two National Endowment for the Arts Fellowships, four Fund for Poetry Awards, and a Poets Foundation Award. He lives with his wife, the painter Paula North, in New York City.…

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Saving the News: Why the Constitution Calls for Government Action to Preserve Freedom of Speech 1:20:43

3 years önce1:20:43

1:20:43

In her 2021 book Saving the News: Why the Constitution Calls for Government Action to Preserve Freedom of Speech, our guest Martha Minow “outlines an array of reforms, including a new fairness doctrine, regulating digital platforms as public utilities, using antitrust authority to regulate the media, policing fraud, and more robust funding of public media. As she stresses, such reforms are not merely plausible ideas; they are the kinds of initiatives needed if the First Amendment guarantee of freedom of the press continues to hold meaning in the twenty-first century.” Martha Minow has taught at Harvard Law School, where she also served as Dean, since 1981. In addition to Saving the News, she is author of When Should Law Forgive? (2019), In Brown’s Wake: Legacies of America’s Constitutional Landmark (2010), among many other books and articles. She is an expert in human rights and advocacy for members of racial and religious minorities and for women, children, and persons with disabilities, she also writes and teaches about digital communications, democracy, privatization, military justice, and ethnic and religious conflict. Heather Hendershot is Professor of Comparative Media Studies at MIT and studies TV news, conservative media, political movements, and American film and television history. She is author of the forthcoming book When the News Broke: Chicago 1968 and the Polarizing of America, which follows her 2016 title Open to Debate: How William F. Buckley Put Liberal America on the Firing Line. She has held fellowships at Vassar College, New York University, Princeton, Harvard, Radcliffe, and Stanford, and she has also been a Guggenheim fellow. Her courses emphasize the interplay between creative, political, and regulatory concerns and how those concerns affect what we see on the screen.…

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Oscar Winberg, "Archie Bunker Goes to Washington" 1:24:50

3 years önce1:24:50

1:24:50

This talk reconsiders the role of television entertainment in American political life in the 1970s and beyond. Focusing on the situation comedy All in the Family (CBS, 1971-1979), the talk looks at a turn to politics in entertainment and a turn to entertainment in politics. In the 1970s, fictive characters, including Archie Bunker (played by Carroll O’Connor) and Edith Bunker (Jean Stapleton) of All in the Family but also Hawkeye Pierce (played by Alan Alda) of MAS*H and Mary Richards (played by Mary Tyler Moore) of The Mary Tyler Moore Show, became political icons. Produced by Norman Lear, All in the Family is recognized as a watershed moment in television history. And yet, Oscar Winberg argues, the show did not just change television, it transformed American politics. Recognizing the popularity of television, politicians learned how to use (and abuse) television entertainment to win votes, to fundraise, to promote their agenda, and to push for legislation. Television entertainment in the 1970s thereby remade political life in its image, paving the way for our current moment of mediated showbiz politics. Oscar Winberg holds a Ph.D. in History from Åbo Akademi University. He is working on a political history of television entertainment in the 1970s United States. His work focuses on mass media in modern political history and has appeared in PS: Political Science & Politics, European Journal of American Studies, and Finsk Tidskrift. He is a columnist for Hufvudstadsbladet and has written for venues such as Made by History at the Washington Post, Vasabladet, and the public broadcasting corporation in Finland.…

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Jens Pohlmann, "Platform Regulation and the Digital Public Sphere" 1:19:59

3 years önce1:19:59

1:19:59

In this talk, Jens Pohlmann compares the discourse about the regulation of social media platforms and its effect on freedom of expression in Germany and the United States. Drawing on computational methods, he analyzes the discussion about a German anti-hate speech law called the Network Enforcement Act (NetzDG) and the debate about a reform of Section 230 of the Communications Decency Act in the United States in different media environments (IT-blogs, newspapers, social media). Ultimately, he considers the extent to which cultural, historical, and political differences between these two liberal democracies inform the present transatlantic debate about the restriction of content online and the regulation of social media platforms, as well as potential impacts on the evolving digital public sphere. Jens Pohlmann is a Research Associate at the Centre for Media, Communication & Information Research (ZeMKI) at the University of Bremen. He received his Ph.D. from Stanford University in 2017 and focuses his research on the internet policy discourse in Germany and the United States. His first book, The Creation of an Avant-Garde Brand: Heiner Müller’s Self-Presentation in the German Public Sphere is to be published this fall.…

5 years önce1:52:01

1:52:01

MIT Comparative Media Studies/Writing

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Eric Klopfer: "Design Based Research on Participatory Simulations" 1:07:03

5 years önce1:07:03

1:07:03

An important part of the work done at the The Education Arcade is based on a process of Design Based Research (DBR). In DBR, we design products that are meant to fill real classroom needs and then iteratively test and refine them. Eric Klopfer and The Education Arcade are currently working on a set of “Participatory Simulations”: mobile collaborative systems-based games. During this talk, attendees got a chance to play a couple of these games and participate in a design discussion with one of the games that is currently in progress. Professor Klopfer, currently Head of Comparative Media Studies/Writing, is Director of the Scheller Teacher Education Program and The Education Arcade at MIT. He is also a co-faculty director for MIT’s J-WEL World Education Lab.…

MIT Comparative Media Studies/Writing

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Lucy Suchman: "Artificial Intelligence and Modern Warfare" 1:27:15

5 years önce1:27:15

1:27:15

In June of 2018, following a campaign initiated by activist employees within the company, Google announced its intention not to renew a US Defense Department contract for Project Maven, an initiative to automate the identification of military targets based on drone video footage. Defendants of the program argued that that it would increase the efficiency and effectiveness of US drone operations, not least by enabling more accurate recognition of those who are the program’s legitimate targets and, by implication, sparing the lives of noncombatants. But this promise begs a more fundamental question: What relations of reciprocal familiarity does recognition presuppose? And in the absence of those relations, what schemas of categorization inform our readings of the Other? The focus of a growing body of scholarship, this question haunts not only US military operations but an expanding array of technologies of social sorting. Understood as apparatuses of recognition (Barad 2007: 171), Project Maven and the US program of targeted killing are implicated in perpetuating the very architectures of enmity that they take as their necessitating conditions. Taking any apparatus for the identification of those who comprise legitimate targets for the use of violent force as problematic, this talk joins a growing body of scholarship on the technopolitical logics that underpin an increasingly violent landscape of institutions, infrastructures and actions, promising protection to some but arguably contributing to our collective insecurity. Lucy Suchman’s concern is with the asymmetric distributions of sociotechnologies of (in)security, their deadly and injurious effects, and the legal, ethical, and moral questions that haunt their operations. She closes with some thoughts on how we might interrupt the workings of these apparatuses, in the service of wider movements for social justice. Lucy Suchman is a Professor of Anthropology of Science and Technology in the Department of Sociology at Lancaster University, in the United Kingdom.…

MIT Comparative Media Studies/Writing

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William Uricchio: "Why Co-Create? And Why Now? Reports from A Field Study" 42:33

6 years önce42:33

42:33

Co-Creation is picking up steam as a claim, aspiration, and buzz-word du jour. But what is and why does it matter? Drawing on a just-released field study, Collective Wisdom, this session addresses those questions and explore the method’s implications for just and equitable creation. It considers co-creation in the arts with communities, across disciplines and organizations, and with non-humans (both biological and AI systems), calling out precedents and best practices in a broad array of communities, including historically marginalized groups. What are the trends, opportunities, and challenges bound up in co-creation and its various deployments, and why it is increasingly urgent in our time? William Uricchio is Professor of Comparative Media Studies at MIT, where he is also founder and Principal Investigator of the MIT Open Documentary Lab and Principal Investigator of the Co-Creation Studio. He, together with Katerina Cizek, authored Collective Wisdom — a field study on co-creation. His current research considers co-creation, documentary, and the epistemological crisis that characterizes our time.…

MIT Comparative Media Studies/Writing

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If I Could Reach the Border… 1:25:53

6 years önce1:25:53

1:25:53

Vivek Bald, Associate Professor of Writing and Digital Media, reads from a new essay that uses a teenage encounter with police and the justice system to explore questions of immigrant acceptability, racialization, and the South Asians American embrace of model minority status. He also provides an update on his documentary film, In Search of Bengali Harlem, recently funded by the PBS-affiliated Center for Asian American Media, and currently being edited by Comparative Media Studies master’s alum, Beyza Boyacioglu. Between the essay and film, Bald reflects on South Asian American experiences of multi-racial identity and histories of cross-racial community-making. Bald is a scholar, writer, and documentary filmmaker whose work focuses on histories of migration and diaspora, particularly from the South Asian subcontinent. He is the author of Bengali Harlem and the Lost Histories of South Asian America (Harvard University Press, 2013), and co-editor, with Miabi Chatterji, Sujani Reddy, and Manu Vimalassery of The Sun Never Sets: South Asian Migrants in an Age of U.S. Power (NYU Press, 2013).…

MIT Comparative Media Studies/Writing

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Anushka Shah: "How Entertainment Can Help Fix the System" 1:16:49

6 years önce1:16:49

1:16:49

Around the world, citizens are saying the system is broken. If it’s education and schools one day, it’s healthcare the next. Our trust in politics and public institutions is falling globally, and our confidence in the ability to solve problems around us is teetering. Can entertainment and pop culture be a way out? Can films, television shows, and digital content become spaces to teach us how to fix our systems? Can we create influential media that changes how we talk about identity, social justice, public institutions, and citizen power? In this talk, Anushka Shah, founder of the production house Civic Studios and the Civic Entertainment project at the MIT Media Lab, explores how entertainment can provide alternate narratives of citizen participation. Shah’s Civic Entertainment project explores the intersection of civic participation with film, television, radio, theatre and digital entertainment. The project focuses on researching the media effects of fiction towards thought and behavior change, explores how methods of social change available to citizens can be best represented in entertainment media, and investigates the representation of protest and activism in current popular culture. Her production firm Civic Studios focuses on creating such civic entertainment content for Indian audiences. The aim of the content is to empower audiences by addressing the lack of trust in public institutions, knowledge of government and democratic systems, and increasing self-efficacy to participate in change as a citizen. Originally from Mumbai, India, Anushka divides her time between Mumbai, Boston, and Chicago. She has a background in applied statistics and digital text analysis, and has also previously worked with non-profits and political parties in India.…

MIT Comparative Media Studies/Writing

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Nick Montfort: "Poet/Programmers, Artist/Programmers, and Scholar/Programmers” 1:02:32

6 years önce1:02:32

1:02:32

Computer programming is a general-purpose way of using computation. It can be instrumental (oriented toward a predefined end, as with the development of well-specified apps and Web services) or exploratory (used for artistic work and intellectual inquiry). Professor Nick Monfort’s emphasis in this talk, as in his own work, is on exploratory programming, that type of programming which can be used as part of a creative or scholarly methodology. He says a bit about his own work but uses much of the discussion to survey how many other poet/programmers, artist/programmers, and scholar/programmers are creating radical new work and uncovering new insights. Nick Montfort is Professor of Digital Media at Comparative Media Studies/Writing. He develops computational poetry and art and has participated in dozens of literary and academic collaborations. Recent books include The Future and Exploratory Programming for the Arts and Humanities (MIT Press) and several books of computational poetry: Hard West Turn, The Truelist, #!, the collaboration 2×6, and Autopia. He has worked to contribute to platform studies, critical code studies, and electronic literature.…

MIT Comparative Media Studies/Writing

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Christopher Weaver: “Amplius Ludo, Beyond the Horizon” 1:32:22

6 years önce1:32:22

1:32:22

While the appeal of games may be universal and satisfy our innate desire to play, the powerful dynamics that govern our behavior within games is even more interesting than the play itself. Can we broaden our understanding of play mechanisms by applying the subliminal mechanics of play beyond games? In this episode, Christopher Weaver, Founder of Bethesda Softworks and who teaches engineering and computational media respectively at MIT and Wesleyan, explores these important issues in a lecture entitled “Amplius Ludo, Beyond the Horizon”. Prof. Weaver discusses how games work and why they are such potent tools in areas as disparate as military simulation, childhood education, and medicine. Christopher Weaver is Research Scientist and Lecturer, MIT Comparative Media Studies, Visiting Scientist and Lecturer, MIT Microphotonics Center and Distinguished Professor of Computational Media at Wesleyan University. Weaver received his SM from MIT and was the initial Daltry Scholar at Wesleyan University, where he earned dual Masters Degrees in Japanese and Computer Science and a CAS Doctoral Degree in Japanese and Physics. The former Director of Technology Forecasting for ABC and Chief Engineer to the Subcommittee on Communications for the US Congress, Weaver founded Bethesda Softworks, and developed a physics-based, realtime sports engine used to create the original John Madden Football for Electronic Arts. Bethesda is well known for The Elder Scrolls role-playing series of which Skyrim was the latest major installment. An adviser to both government and industry, Weaver holds patents in interactive media, security, and telecommunications engineering.…

MIT Comparative Media Studies/Writing

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Remarks By Conference Planning Committee Member Professor Lisa Parks 7:12

6 years önce7:12

7:12

In 1998, MIT’s Comparative Media Studies program held the first Media in Transition (MiT) conference and inaugurated a related book series. Research from that first MiT conference appeared in Democracy and New Media, Jenkins & Thorburn, eds., (MIT Press, 2003). Now, twenty years later, we are organizing the 10th iteration of the event. Much has changed over these two decades, but the theme “democracy and digital media” is as urgent as ever. Twenty years ago there was no Facebook, Twitter, or Netflix. iPhones and Samsung Galaxies had not yet hit the shelves. And Siri and Alexa were still in development. Since 1998, media have undergone major transition. We have witnessed a shift from Napster to Spotify, from Web 1.0 to 2.0, from CU-SeeMe to Twitch TV, and beyond. We have experienced the rise of social media, civic media, algorithmic cultures, and have seen ever greater concentration of media ownership. The events of 9/11 catalyzed intensified state surveillance and privatized security using various media technologies. Undergirding these shifts have been major transformations in global media infrastructure, the platformization of the Internet, and the ubiquity of the mobile phone. In the US, we also have seen changes in the news ecosystem with the likes of ProPublica and community engagement journalism. At the same time, public trust in media has dropped from 55% in 1998 to 32% in 2016, according to a Pew report. For better and worse, a growth of interest in media ritual and a decline in the more familiar transmission paradigm is underway. Given such changes, concepts of participation, trust, and democracy are increasingly fraught and have been powerfully repositioned. How will our news media look and sound in the next decade? What can we learn from news media of the past? What can international perspectives reveal about the variability and plasticity of media landscapes? How are non-traditional sources of learning, knowledge production, and participation reshaping civic spheres? We are interested in how these issues play out across media, whether as represented in television series and films, or enacted in rule set and player interactions in games, or enabled in community media, music, social media, and talk radio. We welcome research that considers these issues in public media and commercial media, with individual users and collective stakeholders, across media infrastructures and media texts, and embedded in various historical eras or cultural settings.…

MIT Comparative Media Studies/Writing

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Plenary 2: Digital Technologies and Cultures 1:22:24

6 years önce1:22:24

1:22:24

MIT Comparative Media Studies/Writing

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Plenary 1: Culture Industries 1:34:48

6 years önce1:34:48

1:34:48

Plenary 1: Culture Industries by Massachusetts Institute of Technology

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