In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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İçerik Scott A. Wickman, PhD; Leanne Deister-Goodwin, MOL; Joseph Flynn, PhD, Scott A. Wickman, PhD; Leanne Deister-Goodwin, and MOL; Joseph Flynn tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Scott A. Wickman, PhD; Leanne Deister-Goodwin, MOL; Joseph Flynn, PhD, Scott A. Wickman, PhD; Leanne Deister-Goodwin, and MOL; Joseph Flynn veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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Player FM uygulamasıyla çevrimdışı Player FM !
Harold and Maude: Mental Illness in Pop Culture
MP3•Bölüm sayfası
Manage episode 212758284 series 1284421
İçerik Scott A. Wickman, PhD; Leanne Deister-Goodwin, MOL; Joseph Flynn, PhD, Scott A. Wickman, PhD; Leanne Deister-Goodwin, and MOL; Joseph Flynn tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Scott A. Wickman, PhD; Leanne Deister-Goodwin, MOL; Joseph Flynn, PhD, Scott A. Wickman, PhD; Leanne Deister-Goodwin, and MOL; Joseph Flynn veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
The cult classic and dark romantic comedy Harold and Maude puts a humorous yet existential gender spin on the May-December motif, with 20-year-old Harold Chasen (Bud Cort) proposing his love to 79-year-old Dame Marjorie “Maude” Chardin (Ruth Gordon). Filled with attention-seeking attempts at shock and awe, we discover Harold’s avoidant attachment style to have originated from lack thereof with his mother, known only as Mrs. Chasen (Vivian Pickles), who may be well intentioned but doesn’t know what to make of Harold’s morbid fascination with death (Thanophilia) and multiplicity of fake suicide demonstrations. In contrast, Maude represents utter fascination with life itself, and we learn an implied bitter backstory has led her to choose an optimistic and vivacious embracement of living life fully until its end. Through their relationship, and underscored by a pre-MTV almost magical juxtaposition of song with image via the artist formerly known as Cat Stevens, Harold experiences emotional entropy of Maude’s sheer joy for life and living in the moment. In this podcast series, we focus on pop culture portrayals of mental health issues and professional helping, believing that public perception is both reflected and influenced by popular media.
…
continue reading
34 bölüm
MP3•Bölüm sayfası
Manage episode 212758284 series 1284421
İçerik Scott A. Wickman, PhD; Leanne Deister-Goodwin, MOL; Joseph Flynn, PhD, Scott A. Wickman, PhD; Leanne Deister-Goodwin, and MOL; Joseph Flynn tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Scott A. Wickman, PhD; Leanne Deister-Goodwin, MOL; Joseph Flynn, PhD, Scott A. Wickman, PhD; Leanne Deister-Goodwin, and MOL; Joseph Flynn veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
The cult classic and dark romantic comedy Harold and Maude puts a humorous yet existential gender spin on the May-December motif, with 20-year-old Harold Chasen (Bud Cort) proposing his love to 79-year-old Dame Marjorie “Maude” Chardin (Ruth Gordon). Filled with attention-seeking attempts at shock and awe, we discover Harold’s avoidant attachment style to have originated from lack thereof with his mother, known only as Mrs. Chasen (Vivian Pickles), who may be well intentioned but doesn’t know what to make of Harold’s morbid fascination with death (Thanophilia) and multiplicity of fake suicide demonstrations. In contrast, Maude represents utter fascination with life itself, and we learn an implied bitter backstory has led her to choose an optimistic and vivacious embracement of living life fully until its end. Through their relationship, and underscored by a pre-MTV almost magical juxtaposition of song with image via the artist formerly known as Cat Stevens, Harold experiences emotional entropy of Maude’s sheer joy for life and living in the moment. In this podcast series, we focus on pop culture portrayals of mental health issues and professional helping, believing that public perception is both reflected and influenced by popular media.
…
continue reading
34 bölüm
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