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İçerik Sarah Monk tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Sarah Monk veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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Piero Dri: Venice — Rowing through time

38:05
 
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Manage episode 347197912 series 2639010
İçerik Sarah Monk tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Sarah Monk veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

See pictures and read more on materiallyspeaking.com

Piero Dri is the fourth and youngest remer in Venice, making oars and oarlocks - or in Italian ‘forcolai’. Since he learnt to row aged 4, rowing has been his passion.

I came to Venice with sound specialist Mike Axinn for a special Venice series of Materially Speaking, during the Homo Faber celebration of artisans, in April 2022. We met three young artisans who are now bringing a fresh energy to the community with a particular eye on repair, re-use and sustainability.

Venice is an extraordinary Island city with a rich history, magnificent art and great beauty. However there are no cars and a frail infrastructure. And of course there are the tourists. So we were keen to discover what these artisans bring to Venice and why they like to call it home.

Piero’s vibrant personality has earned him the name of the ‘mad forcolai maker’ and so his workshop is called ‘Il Forcolaio Matto.’ As we arrive, Piero is opening up his shop - hooking flower boxes onto his window cill, and leaning a red and white striped oar against the wall.

He tells us how it was growing up in Venice, and how he escaped to the lagoon when he needed some peace, and to be with nature. He tells us of his studies as an astronomer and how he then changed direction and became an artisan.

Piero’s workshops have painted and varnished oars suspended from the ceiling. He speaks about the different woods he uses and the boat community in Venice.

In one window is a display of decorative forcolai, which hold their own as art objects in a variety of gorgeous woods. He speaks of a competition where he created a forcolai to express the natural beauty of the lagoon (see green and yellow forcolai below).

ilforcolaiomatto.it

instagram.com/ilforcolaiomatto

  continue reading

58 bölüm

Artwork
iconPaylaş
 
Manage episode 347197912 series 2639010
İçerik Sarah Monk tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Sarah Monk veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

See pictures and read more on materiallyspeaking.com

Piero Dri is the fourth and youngest remer in Venice, making oars and oarlocks - or in Italian ‘forcolai’. Since he learnt to row aged 4, rowing has been his passion.

I came to Venice with sound specialist Mike Axinn for a special Venice series of Materially Speaking, during the Homo Faber celebration of artisans, in April 2022. We met three young artisans who are now bringing a fresh energy to the community with a particular eye on repair, re-use and sustainability.

Venice is an extraordinary Island city with a rich history, magnificent art and great beauty. However there are no cars and a frail infrastructure. And of course there are the tourists. So we were keen to discover what these artisans bring to Venice and why they like to call it home.

Piero’s vibrant personality has earned him the name of the ‘mad forcolai maker’ and so his workshop is called ‘Il Forcolaio Matto.’ As we arrive, Piero is opening up his shop - hooking flower boxes onto his window cill, and leaning a red and white striped oar against the wall.

He tells us how it was growing up in Venice, and how he escaped to the lagoon when he needed some peace, and to be with nature. He tells us of his studies as an astronomer and how he then changed direction and became an artisan.

Piero’s workshops have painted and varnished oars suspended from the ceiling. He speaks about the different woods he uses and the boat community in Venice.

In one window is a display of decorative forcolai, which hold their own as art objects in a variety of gorgeous woods. He speaks of a competition where he created a forcolai to express the natural beauty of the lagoon (see green and yellow forcolai below).

ilforcolaiomatto.it

instagram.com/ilforcolaiomatto

  continue reading

58 bölüm

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