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060 Paul Buscemi, CAS - Production Sound Mixer based out of Los Angeles and Southern California
Manage episode 247030556 series 2352661
Paul Buscemi, CAS, is a production sound mixer based out of Los Angeles, California. He works on television, documentary, commercial and new media. Paul uses a Sound Devices 633 mixer/recorder and a Sound Devices 688 on his cart, Lectrosonics wireless SMB and SMQV transmitters, 411 receivers and SRb receivers, Sanken COS-11 lav mics, Comtek IFBs, Lectrsonics 400a transmitters for camera hops and Lectrosonics LR receivers, Schoeps CMIT shotgun mic, Sennheiser MKH-50 and MKH-416 shotgun mics as well. Paul has built a hybrid sound cart based on the Zuca cart holding his Sound Devices 688 mixer/recorder with the CL-12 fader panel. He also uses the Denecke JB-1 and Tentacle Sync for time code. http://buscemiarts.com/
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
105 bölüm
Manage episode 247030556 series 2352661
Paul Buscemi, CAS, is a production sound mixer based out of Los Angeles, California. He works on television, documentary, commercial and new media. Paul uses a Sound Devices 633 mixer/recorder and a Sound Devices 688 on his cart, Lectrosonics wireless SMB and SMQV transmitters, 411 receivers and SRb receivers, Sanken COS-11 lav mics, Comtek IFBs, Lectrsonics 400a transmitters for camera hops and Lectrosonics LR receivers, Schoeps CMIT shotgun mic, Sennheiser MKH-50 and MKH-416 shotgun mics as well. Paul has built a hybrid sound cart based on the Zuca cart holding his Sound Devices 688 mixer/recorder with the CL-12 fader panel. He also uses the Denecke JB-1 and Tentacle Sync for time code. http://buscemiarts.com/
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
105 bölüm
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