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İçerik Mia Funk, Empowering Stories, and Inspiring Women: Creative Process Original Series tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Mia Funk, Empowering Stories, and Inspiring Women: Creative Process Original Series veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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Travel, Literature & Identity with INTAN PARAMADITHA - Author of The Wandering

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İçerik Mia Funk, Empowering Stories, and Inspiring Women: Creative Process Original Series tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Mia Funk, Empowering Stories, and Inspiring Women: Creative Process Original Series veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

How are writing and travel vehicles for understanding? How can we expand the literary canon to include other voices, other cultures, other experiences of the world?

Intan Paramaditha is a writer and an academic. Her novel The Wandering (Harvill Secker/ Penguin Random House UK), translated from the Indonesian language by Stephen J. Epstein, was nominated for the Stella Prize in Australia and awarded the Tempo Best Literary Fiction in Indonesia, English PEN Translates Award, and PEN/ Heim Translation Fund Grant from PEN America. She is the author of the short story collection Apple and Knife, the editor of Deviant Disciples: Indonesian Women Poets, part of the Translating Feminisms series of Tilted Axis Press and the co-editor of The Routledge Companion to Asian Cinemas (forthcoming 2024). Her essay, “On the Complicated Questions Around Writing About Travel,” was selected for The Best American Travel Writing 2021. She holds a Ph.D. from New York University and teaches media and film studies at Macquarie University, Sydney.

“I grew up with folktales and fairytales from the Indonesian archipelago, from the Nusantara. And of course I grew up with the stories from the Grimm brothers and Hans Christian Andersen and actually I like them better than the Disney version because they're more bloody and gory. I guessed that also shaped my preferences for more dark and gothic stories as I grew up. I did English literature at the University of Indonesia. I wrote a BA thesis on Mary Shelley's Frankenstein. And my mother was a very imaginative person. She loved making her own stories, so I think I inherit that from her. But she never had the chance to explore her creative side—there were certain expectations for women at that time to get married. She was harsh. But I know why I considered her monstrous when she was younger. She was trying to reject society's expectations in her own way, but we didn't understand her. And so I became really interested in the so-called bad women or monstrous women, in a way that these women allow me to ask questions around the structures that create them. Her whole presence taught me to really appreciate the knowledge that was created by generations of women before me. Part of the work I do now is work with a feminist collective to actually question knowledge production, who is excluded from it, who is being marginalized because of it, and my mother played a great role in steering me in that direction.”

https://intanparamaditha.com
www.penguinrandomhouse.ca/books/626055/the-wandering-by-intan-paramaditha/9781787301184

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

  continue reading

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iconPaylaş
 
Manage episode 414553025 series 3334562
İçerik Mia Funk, Empowering Stories, and Inspiring Women: Creative Process Original Series tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Mia Funk, Empowering Stories, and Inspiring Women: Creative Process Original Series veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

How are writing and travel vehicles for understanding? How can we expand the literary canon to include other voices, other cultures, other experiences of the world?

Intan Paramaditha is a writer and an academic. Her novel The Wandering (Harvill Secker/ Penguin Random House UK), translated from the Indonesian language by Stephen J. Epstein, was nominated for the Stella Prize in Australia and awarded the Tempo Best Literary Fiction in Indonesia, English PEN Translates Award, and PEN/ Heim Translation Fund Grant from PEN America. She is the author of the short story collection Apple and Knife, the editor of Deviant Disciples: Indonesian Women Poets, part of the Translating Feminisms series of Tilted Axis Press and the co-editor of The Routledge Companion to Asian Cinemas (forthcoming 2024). Her essay, “On the Complicated Questions Around Writing About Travel,” was selected for The Best American Travel Writing 2021. She holds a Ph.D. from New York University and teaches media and film studies at Macquarie University, Sydney.

“I grew up with folktales and fairytales from the Indonesian archipelago, from the Nusantara. And of course I grew up with the stories from the Grimm brothers and Hans Christian Andersen and actually I like them better than the Disney version because they're more bloody and gory. I guessed that also shaped my preferences for more dark and gothic stories as I grew up. I did English literature at the University of Indonesia. I wrote a BA thesis on Mary Shelley's Frankenstein. And my mother was a very imaginative person. She loved making her own stories, so I think I inherit that from her. But she never had the chance to explore her creative side—there were certain expectations for women at that time to get married. She was harsh. But I know why I considered her monstrous when she was younger. She was trying to reject society's expectations in her own way, but we didn't understand her. And so I became really interested in the so-called bad women or monstrous women, in a way that these women allow me to ask questions around the structures that create them. Her whole presence taught me to really appreciate the knowledge that was created by generations of women before me. Part of the work I do now is work with a feminist collective to actually question knowledge production, who is excluded from it, who is being marginalized because of it, and my mother played a great role in steering me in that direction.”

https://intanparamaditha.com
www.penguinrandomhouse.ca/books/626055/the-wandering-by-intan-paramaditha/9781787301184

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

  continue reading

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