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İçerik Kris Schulz, Mojo Kemp, Kris Schulz, and Mojo Kemp tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Kris Schulz, Mojo Kemp, Kris Schulz, and Mojo Kemp veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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Why Do We Quit Music Lessons? Part 3

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Manage episode 364245484 series 3427785
İçerik Kris Schulz, Mojo Kemp, Kris Schulz, and Mojo Kemp tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Kris Schulz, Mojo Kemp, Kris Schulz, and Mojo Kemp veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

In today's episode, we cover the final chapters (7-13)of our 13 chapter series aiming to understand the reasons behind students quitting music lessons.
We also recommend a resource that inspired today's episode, offering a deeper dive into the subject.
https://www.researchgate.net/publication/272886402_Students_who_quit_music_lessons_recent_research_and_recommendations_for_teachers
7:Teacher Characteristics
8:Family Socioeconomic Status
9: Parental Support & Home Environment
10: Self-Efficacy, and Self-perception
11: Practicing and Achievement
12: Research Based Recommendations for Teachers
13: Additional Ways To Support A Positive Outcome For Music Students
Part 7:Teacher Characteristics

  • Adults who quit lessons as children or teenagers often mention not getting along with the teacher or having a bad experience with a teacher who did not relate well to them.
  • A 1984 study of 22 outstanding pianists found that different types of teachers were important at different instructional stages: a warm and stimulating teacher for the first stage, and more structured and strict teachers for the next two stages.
  • It is important to match teacher characteristics to the changing requirements of learners as they reach higher levels of musical expertise, with a focus on establishing a relaxed and friendly relationship in early stages and increasing emphasis on professional dimensions at later stages.

Part 8:Family Socioeconomic Status

  • Families with lower socio-economic levels are often unable to support their children's musical endeavors due to lack of time or resources.
  • Studies have found that a family's socio-economic level can accurately predict high school students' retention in music programs, with students from lower socio-economic levels being less likely to re-enroll.
  • Despite the challenges posed by lower socio-economic status, building a safe, nurturing, and inclusive environment for these students can lead to transformative and positive experiences for both the student and teacher.
  • Teachers who take extra time to listen and connect with struggling students can impact their lives in profound ways.

Part 9: Parental Support & Home Environment

  • Parental involvement and attitudes towards music have a significant impact on students' music achievement, motivation, and attitude towards learning.
  • Continuous parental involvement, which is supportive without being interfering, has a positive impact on students' progress and attitude towards music.
  • Providing a structured home environment for practice, communicating with the teacher, and remaining an interested audience can enhance learning outcomes such as enjoyment, motivation, satisfaction, and self-concept.

Part 10: Self-Efficacy, and Self-perception

  • Students who possess a low sense of self-efficacy or have low self-perception and self-esteem are more prone to quit.
  • Self-efficacy is defined as people's judgments of their capabilities to organize and execute courses of action required to attain designated types of performances.

Part 11: Practicing and Achievement

  • The students who continued, interestingly, were not “perfect practicers” either. Their commitment to practicing varied during their 20-month period, but in general, they showed a stronger commitment to practicing, higher levels of reflection and self-evaluation during practice, more awareness of their progress, and a better understanding of the purpose and importance of practice than the others.


  continue reading

119 bölüm

Artwork
iconPaylaş
 
Manage episode 364245484 series 3427785
İçerik Kris Schulz, Mojo Kemp, Kris Schulz, and Mojo Kemp tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Kris Schulz, Mojo Kemp, Kris Schulz, and Mojo Kemp veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

In today's episode, we cover the final chapters (7-13)of our 13 chapter series aiming to understand the reasons behind students quitting music lessons.
We also recommend a resource that inspired today's episode, offering a deeper dive into the subject.
https://www.researchgate.net/publication/272886402_Students_who_quit_music_lessons_recent_research_and_recommendations_for_teachers
7:Teacher Characteristics
8:Family Socioeconomic Status
9: Parental Support & Home Environment
10: Self-Efficacy, and Self-perception
11: Practicing and Achievement
12: Research Based Recommendations for Teachers
13: Additional Ways To Support A Positive Outcome For Music Students
Part 7:Teacher Characteristics

  • Adults who quit lessons as children or teenagers often mention not getting along with the teacher or having a bad experience with a teacher who did not relate well to them.
  • A 1984 study of 22 outstanding pianists found that different types of teachers were important at different instructional stages: a warm and stimulating teacher for the first stage, and more structured and strict teachers for the next two stages.
  • It is important to match teacher characteristics to the changing requirements of learners as they reach higher levels of musical expertise, with a focus on establishing a relaxed and friendly relationship in early stages and increasing emphasis on professional dimensions at later stages.

Part 8:Family Socioeconomic Status

  • Families with lower socio-economic levels are often unable to support their children's musical endeavors due to lack of time or resources.
  • Studies have found that a family's socio-economic level can accurately predict high school students' retention in music programs, with students from lower socio-economic levels being less likely to re-enroll.
  • Despite the challenges posed by lower socio-economic status, building a safe, nurturing, and inclusive environment for these students can lead to transformative and positive experiences for both the student and teacher.
  • Teachers who take extra time to listen and connect with struggling students can impact their lives in profound ways.

Part 9: Parental Support & Home Environment

  • Parental involvement and attitudes towards music have a significant impact on students' music achievement, motivation, and attitude towards learning.
  • Continuous parental involvement, which is supportive without being interfering, has a positive impact on students' progress and attitude towards music.
  • Providing a structured home environment for practice, communicating with the teacher, and remaining an interested audience can enhance learning outcomes such as enjoyment, motivation, satisfaction, and self-concept.

Part 10: Self-Efficacy, and Self-perception

  • Students who possess a low sense of self-efficacy or have low self-perception and self-esteem are more prone to quit.
  • Self-efficacy is defined as people's judgments of their capabilities to organize and execute courses of action required to attain designated types of performances.

Part 11: Practicing and Achievement

  • The students who continued, interestingly, were not “perfect practicers” either. Their commitment to practicing varied during their 20-month period, but in general, they showed a stronger commitment to practicing, higher levels of reflection and self-evaluation during practice, more awareness of their progress, and a better understanding of the purpose and importance of practice than the others.


  continue reading

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