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İçerik The New Yorker tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan The New Yorker veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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Manage episode 446624826 series 3513873
İçerik The New Yorker tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan The New Yorker veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

The art of advice-giving, championed over the years by such figures as Ann Landers and Cheryl Strayed, has lately undergone a transformation. As traditional columns have continued to proliferate, social-media platforms have created new venues for those seeking—and doling out—counsel, from the users of the popular subreddit “Am I the Asshole” to the countless “experts” who peddle their takes on Instagram and TikTok. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz try their hands at the trade, advising listeners on a variety of cultural conundrums. The hosts trace the form from early examples such as Advice for Living, the short-lived column written by Martin Luther King, Jr., in the late nineteen-fifties, through to the Internet age. The genre has long functioned as a forum for parsing the ethics of the era, and its enduring appeal might be explained by our inherent curiosity about the way others live. “There is a sort of plurality of approaches to life itself, which means that we are all passing into and out of other people’s moral universes,” Cunningham says. “I think it causes more trouble—causes more questions.”

Read, watch, and listen with the critics:

The Witch Elm,” by Tana French

Crime and Punishment,” by Fyodor Dostoyevsky

Pride and Prejudice,” by Jane Austen

Intermezzo,” by Sally Rooney

The Guest,” by Emma Cline

I’m a Fan,” by Sheena Patel

My Husband,” by Maud Ventura

The Anthropologists,” by Ayşegül Savaş

Small Rain,” by Garth Greenwell

Brightness Falls,” by Jay McInerney

Richard Linklater’s “Before” trilogy

William Shakespeare’s “Hamlet

Ghost World,” by Dan Clowes

The Ethicist (The New York Times)

Dear Sugar (The Rumpus)

The Strange Case of Dr. Jekyll and Mr. Hyde,” by Robert Louis Stevenson

“Lisa Frankenstein” (2024)

The Turn of the Screw,” by Henry James

Carrie,” by Stephen King

Little Labors,” by Rivka Galchen

Matrescence,” by Lucy Jones

The Mother Artist,” by Catherine Ricketts

Acts of Creation,” by Hettie Judah

r/AmItheAsshole

Advice for Living (Ebony Magazine)

New episodes drop every Thursda… Learn about your ad choices: dovetail.prx.org/ad-choices

  continue reading

66 bölüm

Artwork
iconPaylaş
 
Manage episode 446624826 series 3513873
İçerik The New Yorker tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan The New Yorker veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

The art of advice-giving, championed over the years by such figures as Ann Landers and Cheryl Strayed, has lately undergone a transformation. As traditional columns have continued to proliferate, social-media platforms have created new venues for those seeking—and doling out—counsel, from the users of the popular subreddit “Am I the Asshole” to the countless “experts” who peddle their takes on Instagram and TikTok. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz try their hands at the trade, advising listeners on a variety of cultural conundrums. The hosts trace the form from early examples such as Advice for Living, the short-lived column written by Martin Luther King, Jr., in the late nineteen-fifties, through to the Internet age. The genre has long functioned as a forum for parsing the ethics of the era, and its enduring appeal might be explained by our inherent curiosity about the way others live. “There is a sort of plurality of approaches to life itself, which means that we are all passing into and out of other people’s moral universes,” Cunningham says. “I think it causes more trouble—causes more questions.”

Read, watch, and listen with the critics:

The Witch Elm,” by Tana French

Crime and Punishment,” by Fyodor Dostoyevsky

Pride and Prejudice,” by Jane Austen

Intermezzo,” by Sally Rooney

The Guest,” by Emma Cline

I’m a Fan,” by Sheena Patel

My Husband,” by Maud Ventura

The Anthropologists,” by Ayşegül Savaş

Small Rain,” by Garth Greenwell

Brightness Falls,” by Jay McInerney

Richard Linklater’s “Before” trilogy

William Shakespeare’s “Hamlet

Ghost World,” by Dan Clowes

The Ethicist (The New York Times)

Dear Sugar (The Rumpus)

The Strange Case of Dr. Jekyll and Mr. Hyde,” by Robert Louis Stevenson

“Lisa Frankenstein” (2024)

The Turn of the Screw,” by Henry James

Carrie,” by Stephen King

Little Labors,” by Rivka Galchen

Matrescence,” by Lucy Jones

The Mother Artist,” by Catherine Ricketts

Acts of Creation,” by Hettie Judah

r/AmItheAsshole

Advice for Living (Ebony Magazine)

New episodes drop every Thursda… Learn about your ad choices: dovetail.prx.org/ad-choices

  continue reading

66 bölüm

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