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İçerik CREECA at the University of Wisconsin-Madison, Center for Russia, East Europe, and Central Asia at the University of Wisconsin tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan CREECA at the University of Wisconsin-Madison, Center for Russia, East Europe, and Central Asia at the University of Wisconsin veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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Law and Visual Culture in Three Vignettes - Agata Fijalkowski

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Manage episode 347366954 series 1567208
İçerik CREECA at the University of Wisconsin-Madison, Center for Russia, East Europe, and Central Asia at the University of Wisconsin tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan CREECA at the University of Wisconsin-Madison, Center for Russia, East Europe, and Central Asia at the University of Wisconsin veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
Dr. Fijalkowski explores the relationship between law and visual culture by looking at photographs of individuals (a dissident, a judge, and a prosecutor who were involved in high-profile trials during the Stalinist period. An image can hide and expose questions of legitimation and authority pertaining to Stalinist rule and how we view defendants, judges, prosecutors, and justice. Visualising law requires extra-legal sources and analysis to reveal the nuances of a question that has been well researched but in which there is still much to discover about key players and events, as well as a better recognition of legal biographies that make for a richer history about law under Communism. - About the Speaker: Dr Agata Fijalkowski (Leeds Beckett University) is in the process of completing Law, Visual Culture, and the Show Trial, for GlassHouse Books (Routledge). The monograph considers photographs of trials from the period 1944-1957 in Albania, East Germany, and Poland.
  continue reading

156 bölüm

Artwork
iconPaylaş
 
Manage episode 347366954 series 1567208
İçerik CREECA at the University of Wisconsin-Madison, Center for Russia, East Europe, and Central Asia at the University of Wisconsin tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan CREECA at the University of Wisconsin-Madison, Center for Russia, East Europe, and Central Asia at the University of Wisconsin veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
Dr. Fijalkowski explores the relationship between law and visual culture by looking at photographs of individuals (a dissident, a judge, and a prosecutor who were involved in high-profile trials during the Stalinist period. An image can hide and expose questions of legitimation and authority pertaining to Stalinist rule and how we view defendants, judges, prosecutors, and justice. Visualising law requires extra-legal sources and analysis to reveal the nuances of a question that has been well researched but in which there is still much to discover about key players and events, as well as a better recognition of legal biographies that make for a richer history about law under Communism. - About the Speaker: Dr Agata Fijalkowski (Leeds Beckett University) is in the process of completing Law, Visual Culture, and the Show Trial, for GlassHouse Books (Routledge). The monograph considers photographs of trials from the period 1944-1957 in Albania, East Germany, and Poland.
  continue reading

156 bölüm

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