In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
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Reich and Korot tell tales
MP3•Bölüm sayfası
Manage episode 418505236 series 2996988
İçerik American Public Media tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan American Public Media veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
Synopsis
In the 1960s, American composer Steve Reich prepared some electronic pieces consisting of gradually shifting tape loops of the same prerecorded — and enigmatic — spoken phrases excerpted from someone telling a story. Reich quickly realized he could produce the same effect with conventional instruments and live musicians. These repetitive patterns and the gradual shifts came to be labeled “minimalist.”
Three decades later, in May of 1993, Reich and his wife, the video artist Beryl Korot, created a large-scale piece they dubbed a “documentary video opera.” Titled The Cave, it investigated the roots of Christianity, Judaism and Islam through prerecorded interviews, images projected on multi-channel video screens, and live musical accompaniment utilizing the speech patterns of the interviewees as the starting point for much of the score.
On today’s date in 2002, at the Vienna Festival, Reich and Korot premiered another music theatre piece, Three Tales, intended as symbolic parables of technology in the 20th century, the three topics being the crash of the Hindenburg, the early atomic bomb tests in the Pacific Islands and the cloning of a sheep named Dolly.
Music Played in Today's Program
Steve Reich (b. 1936): Music for Large Ensemble; Alarm Will Sound and Ossia; Alan Pierson, conductor; Nonesuch 79546
93 bölüm
MP3•Bölüm sayfası
Manage episode 418505236 series 2996988
İçerik American Public Media tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan American Public Media veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
Synopsis
In the 1960s, American composer Steve Reich prepared some electronic pieces consisting of gradually shifting tape loops of the same prerecorded — and enigmatic — spoken phrases excerpted from someone telling a story. Reich quickly realized he could produce the same effect with conventional instruments and live musicians. These repetitive patterns and the gradual shifts came to be labeled “minimalist.”
Three decades later, in May of 1993, Reich and his wife, the video artist Beryl Korot, created a large-scale piece they dubbed a “documentary video opera.” Titled The Cave, it investigated the roots of Christianity, Judaism and Islam through prerecorded interviews, images projected on multi-channel video screens, and live musical accompaniment utilizing the speech patterns of the interviewees as the starting point for much of the score.
On today’s date in 2002, at the Vienna Festival, Reich and Korot premiered another music theatre piece, Three Tales, intended as symbolic parables of technology in the 20th century, the three topics being the crash of the Hindenburg, the early atomic bomb tests in the Pacific Islands and the cloning of a sheep named Dolly.
Music Played in Today's Program
Steve Reich (b. 1936): Music for Large Ensemble; Alarm Will Sound and Ossia; Alan Pierson, conductor; Nonesuch 79546
93 bölüm
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