In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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İçerik IFH Industries, Inc. and Bulletproof Screenwriting tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan IFH Industries, Inc. and Bulletproof Screenwriting veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
Player FM - Podcast Uygulaması
Player FM uygulamasıyla çevrimdışı Player FM !
Player FM uygulamasıyla çevrimdışı Player FM !
BPS 369: Music Licensing for Film Demystified with Chris Small
MP3•Bölüm sayfası
Manage episode 421161674 series 2151605
İçerik IFH Industries, Inc. and Bulletproof Screenwriting tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan IFH Industries, Inc. and Bulletproof Screenwriting veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
We have all wanted to have a killer song we love in one of our films or projects, that perfect song that makes the scene pop off the screen. When you begin to investigate how to get permission for the song you soon discover the maze of red tape and crap you need to deal with in order to have the song in your film.From getting film festival rights to broadcast rights to VOD rights, Music Licensing is a headache and a half. Today on the show with have Chris Small, a music licensing professional here to demystified the ridiculous and antiquated process of licensing music for film. Chris breaks down the way to properly license music without falling into legal pitfalls.Chris also works for Soundstripe, a music licensing company that is disrupting the way filmmakers get music for their films and projects. Take a look at how they are doing it below. I love this service and am using Soundstripe music in all of my videos, podcasts and IFHTV Original Productions. Music licensing is a nightmare but it doesn't have to be.
Enjoy my conversation with Chris Small from Soundstripe.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
…
continue reading
Enjoy my conversation with Chris Small from Soundstripe.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
551 bölüm
MP3•Bölüm sayfası
Manage episode 421161674 series 2151605
İçerik IFH Industries, Inc. and Bulletproof Screenwriting tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan IFH Industries, Inc. and Bulletproof Screenwriting veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
We have all wanted to have a killer song we love in one of our films or projects, that perfect song that makes the scene pop off the screen. When you begin to investigate how to get permission for the song you soon discover the maze of red tape and crap you need to deal with in order to have the song in your film.From getting film festival rights to broadcast rights to VOD rights, Music Licensing is a headache and a half. Today on the show with have Chris Small, a music licensing professional here to demystified the ridiculous and antiquated process of licensing music for film. Chris breaks down the way to properly license music without falling into legal pitfalls.Chris also works for Soundstripe, a music licensing company that is disrupting the way filmmakers get music for their films and projects. Take a look at how they are doing it below. I love this service and am using Soundstripe music in all of my videos, podcasts and IFHTV Original Productions. Music licensing is a nightmare but it doesn't have to be.
Enjoy my conversation with Chris Small from Soundstripe.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
…
continue reading
Enjoy my conversation with Chris Small from Soundstripe.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
551 bölüm
Tüm bölümler
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