October Daye / Inheritance - Essay Series Part Two: Series Structure

Books That Burn

Hello Patrons and general audience members! Welcome to another Books That Burn essay by Robin. Thank you to Case Aiken, who receives a monthly Patron shoutout.

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This is the second in a five-part essay series discussing two long-running book series by queer authors: October Daye by Seanan McGuire, and Inheritance by A.K. Faulkner. I chose these series because I love them both, they were intended from the start to be long series, neither of them are finished yet, and the authors have different structural approaches to developing each series across so many volumes. Purely coincidentally, they are both long-running contemporary fantasy series mainly set in California in or near the 2010's, with major characters named Quentin, and whose fast-healing protagonists have a tendency to quasi-adopt a gaggle of magical teenagers. After a brief moment in the 1990's, October Daye begins in earnest in 2009 and has reached 2015 as of the eighteenth book, while Inheritance is ambiguously set in the mid-to-late 2010's. Each of my essays focuses on a particular topic of importance to long series such as these two. They're designed to be intelligible on their own, and can theoretically be read in any order, but most readers will have the best experience if they start with the first essay and proceed linearly.

Series Structure - Series Arcs and Monsters of the Week

This essay spoils major elements of the first ten books of the Inheritance series by A.K. Faulkner, as well as the first six books in the October Daye series by Seanan McGuire, while lightly discussing some spoilers from later books in that series. It touches briefly on themes of murder and death, as well as alluding to fictional depictions of kidnapping, torture, and harm to children.

• What Is a Monster of the Week? (02:48)
• Monsters in Inheritance (05:52)
• Monsters in October Daye (14:30)
• Series Arcs (18:05)
• Arc Structure and October Daye (19:28)
• Seasons in Inheritance (29:51)
• A Balancing Act (34:31)