Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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İçerik Afropop Worldwide tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Afropop Worldwide veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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Borderless Sounds: The New North Africa
MP3•Bölüm sayfası
Manage episode 435579378 series 5496
İçerik Afropop Worldwide tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Afropop Worldwide veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
North African music receives very little coverage in the United States. There are no high-profile mixes of recent Tunisian underground dance music from hip DJs, and no young Algerian musicians with major distribution deals in the U.S. So we decided to explore what exactly is going on in this part of the world. We trace the origins of some of the region’s most interesting current music to the banlieues of Paris, like raï ’n’b--a new autotuned and synth-heavy offshoot of raï. We also explore the Gnawa reggae movement, which finds common ground between Sufi trance and the message of Marley. Returning to familiar traditions, we present a live recording of Kabyle mandoleplayer Hamid Ouchène from Montreal’s Nuits d’Afrique festival, backed by a group of Montreal-based musicians with origins throughout the African continent. We next turn to the North African metal scene that developed during Algeria’s civil conflict to meld Berber folk music with black metal. Finally, we check out the new chaabi revival. Produced by Jesse Brent.
…
continue reading
634 bölüm
MP3•Bölüm sayfası
Manage episode 435579378 series 5496
İçerik Afropop Worldwide tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Afropop Worldwide veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
North African music receives very little coverage in the United States. There are no high-profile mixes of recent Tunisian underground dance music from hip DJs, and no young Algerian musicians with major distribution deals in the U.S. So we decided to explore what exactly is going on in this part of the world. We trace the origins of some of the region’s most interesting current music to the banlieues of Paris, like raï ’n’b--a new autotuned and synth-heavy offshoot of raï. We also explore the Gnawa reggae movement, which finds common ground between Sufi trance and the message of Marley. Returning to familiar traditions, we present a live recording of Kabyle mandoleplayer Hamid Ouchène from Montreal’s Nuits d’Afrique festival, backed by a group of Montreal-based musicians with origins throughout the African continent. We next turn to the North African metal scene that developed during Algeria’s civil conflict to meld Berber folk music with black metal. Finally, we check out the new chaabi revival. Produced by Jesse Brent.
…
continue reading
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