In The Filmcast, hardcore geeks David Chen, Devindra Hardawar, and Jeff Cannata debate, pontificate, and delve into the latest films, TV shows, and other entertainment-related items from the past week. Weekly guests include everyday bloggers, webmaster luminaries, film directors, and movie stars from all walks of life. You can reach us at slashfilmcast@gmail.com and find more podcast episodes at http://www.thefilmcast.com
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İçerik Future of Film Podcast and Alex Stolz tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Future of Film Podcast and Alex Stolz veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
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73. Emma Needell: Technology, Creative Practice and Finding your Story's Heart
MP3•Bölüm sayfası
Manage episode 375949919 series 1399837
İçerik Future of Film Podcast and Alex Stolz tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Future of Film Podcast and Alex Stolz veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
Emma Needell is a filmmaker and worldbuilder who champions original storytelling. Her script THE WATER MAN, directed by David Oyelowo and produced by Oprah Winfrey, premiered at TIFF and is now on Netflix. In 2021, she won an Epic Megagrant to use Unreal Engine on a short film that explores the power of technology to bring people together. The film premiered at Tribeca and is now on the festival circuit. She is also the worldbuilder and Head of Story for the web3 content company Tally Labs. Emma joined Future of Film Incubator 2023 to share insights from her journey as a storyteller, her creative process and how she incorporates technology into her practice. Highlights include: - The story behind Emma's first script being made with David Oyelowo and Oprah Winfrey - Emma's adoption of Unreal Engine in her creative process - Emma's use of AI and her position on its adoption in filmmaking - How Emma is leaning into the Web3 world with the worldbuilding of the Azurbala project "I ended up using Unreal Engine to rewrite the script because I could play around with 3D motion, with camera movement, I could put a score to it, I could mess around with lighting and with basic blocking." - Emma Needell
…
continue reading
85 bölüm
MP3•Bölüm sayfası
Manage episode 375949919 series 1399837
İçerik Future of Film Podcast and Alex Stolz tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Future of Film Podcast and Alex Stolz veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
Emma Needell is a filmmaker and worldbuilder who champions original storytelling. Her script THE WATER MAN, directed by David Oyelowo and produced by Oprah Winfrey, premiered at TIFF and is now on Netflix. In 2021, she won an Epic Megagrant to use Unreal Engine on a short film that explores the power of technology to bring people together. The film premiered at Tribeca and is now on the festival circuit. She is also the worldbuilder and Head of Story for the web3 content company Tally Labs. Emma joined Future of Film Incubator 2023 to share insights from her journey as a storyteller, her creative process and how she incorporates technology into her practice. Highlights include: - The story behind Emma's first script being made with David Oyelowo and Oprah Winfrey - Emma's adoption of Unreal Engine in her creative process - Emma's use of AI and her position on its adoption in filmmaking - How Emma is leaning into the Web3 world with the worldbuilding of the Azurbala project "I ended up using Unreal Engine to rewrite the script because I could play around with 3D motion, with camera movement, I could put a score to it, I could mess around with lighting and with basic blocking." - Emma Needell
…
continue reading
85 bölüm
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