Artwork

İçerik Philip Rowe tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Philip Rowe veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.
Player FM - Podcast Uygulaması
Player FM uygulamasıyla çevrimdışı Player FM !

Commedia Dell’arte: A Selection of Scenarios

34:03
 
Paylaş
 

Manage episode 336998764 series 2798781
İçerik Philip Rowe tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Philip Rowe veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

Episode 82:

The characters of Commedia Dell’arte may have been used in every play over and over again until they became completely familiar, but the plays themselves were more varied that you might imagine.

The first preserved Commedia Dell’arte scenario from 1568.

How the play was created and the characters and players.

A first-hand account of the play.

A brief analysis of this history of the play

The play ‘Madness’ presented for a Medici wedding, performed by Isabella Andreinoi, of the Golosi troupe.

A summary of the plot of ‘Madness’

Why these two examples may not truly represent the form

The scenarios published as a collection by Flaminio Scala in 1611

The form of the scenarios in the collection

The continuing influence of Roman theatre on commedia Dell’arte

The reuse of classic stories in the scenarios, with a version of ‘The Menacmus Brothers’ as an example.

How misunderstanding, intrigue and comic business remained at the heart of Commedia Dell’arte.

‘The Mad Princess’, the only tragedy in the Scala collection.

The later development of the three-in-one play where three tenuously linked plays were presented together, a comedy, a pastoral, and a tragedy.

What the three-in-one play can tell us about the diversity within Commedia Dell’arte.

Support the podcast at:

www.thehistoryofeuropeantheatre.com

www.ko-fi.com/thoetp

www.patreon.com/thoetp


This podcast uses the following third-party services for analysis:
Chartable - https://chartable.com/privacy
  continue reading

152 bölüm

Artwork
iconPaylaş
 
Manage episode 336998764 series 2798781
İçerik Philip Rowe tarafından sağlanmıştır. Bölümler, grafikler ve podcast açıklamaları dahil tüm podcast içeriği doğrudan Philip Rowe veya podcast platform ortağı tarafından yüklenir ve sağlanır. Birinin telif hakkıyla korunan çalışmanızı izniniz olmadan kullandığını düşünüyorsanız burada https://tr.player.fm/legal özetlenen süreci takip edebilirsiniz.

Episode 82:

The characters of Commedia Dell’arte may have been used in every play over and over again until they became completely familiar, but the plays themselves were more varied that you might imagine.

The first preserved Commedia Dell’arte scenario from 1568.

How the play was created and the characters and players.

A first-hand account of the play.

A brief analysis of this history of the play

The play ‘Madness’ presented for a Medici wedding, performed by Isabella Andreinoi, of the Golosi troupe.

A summary of the plot of ‘Madness’

Why these two examples may not truly represent the form

The scenarios published as a collection by Flaminio Scala in 1611

The form of the scenarios in the collection

The continuing influence of Roman theatre on commedia Dell’arte

The reuse of classic stories in the scenarios, with a version of ‘The Menacmus Brothers’ as an example.

How misunderstanding, intrigue and comic business remained at the heart of Commedia Dell’arte.

‘The Mad Princess’, the only tragedy in the Scala collection.

The later development of the three-in-one play where three tenuously linked plays were presented together, a comedy, a pastoral, and a tragedy.

What the three-in-one play can tell us about the diversity within Commedia Dell’arte.

Support the podcast at:

www.thehistoryofeuropeantheatre.com

www.ko-fi.com/thoetp

www.patreon.com/thoetp


This podcast uses the following third-party services for analysis:
Chartable - https://chartable.com/privacy
  continue reading

152 bölüm

Tüm bölümler

×
 
Loading …

Player FM'e Hoş Geldiniz!

Player FM şu anda sizin için internetteki yüksek kalitedeki podcast'leri arıyor. En iyi podcast uygulaması ve Android, iPhone ve internet üzerinde çalışıyor. Aboneliklerinizi cihazlar arasında eş zamanlamak için üye olun.

 

Hızlı referans rehberi