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In the spring of 2020, while stuck in isolation due to the COVID-19 pandemic, I began experimenting with streaming live audio to Twitch. I wanted to mix, chop, and screw with Creative Commons-licensed music live while reading weird fiction no longer restricted by copyright. My elderly Mac Pro from 2008, connected to even older audio interfaces and …
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The good ship Seabird is repaired, and all aboard her long to see England once agan. A vicious fight with the weed men claims one final victim before the ship is finally free of the Land of Lonesomeness. The friendships forged in that strange land will not be quickly forgotten. The music is by Samsa, from the album "The Laurentian Divide," and by P…
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Aboard the ship, the men use long reeds from the island to help push the weed aside, and as the line is tightened the ship inches ever closer to the island. Our narrator and Mistress Madison find that they are in love, and at last the ship pulls itself free of the weed and into open water! The music is by Adaptcore, from the album "Sunset After Win…
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The narrator rides aross the rope to the vessel in the weed. There he meets the dead Captain's wife and young niece, Mary Madison. But the rope line is already beginning to show signs of fraying, and so it is too risky for the narrator to return to the island. Can the hulk pull itself free from the weed before the rope breaks? The music is by Samsa…
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Another sailor is presumed lost after the tragic weed-man attack, and Job's grave has been plundered. The giant crossbow has failed to fire a line across to the trapped ship, but as luck would have it, one of the sailors is an expert in kite-making! Soon a heavy line connects the ship in the weed and the island. The ship begins to draw the line tau…
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The survivors' worst fears are realized when in the moonless darkness their camp is attacked by vile and terrifying creatures. It seems that only fire can deter these evil beasts, but the men are rapidly running out of fuel! The music is by Slutmachine, from the album "Inching Glaciers," and by PHOLDE, from the album "In Favor of More Permanent Ple…
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