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Rembrandt, habibi!

Amina Aziz, Kunstmuseum Basel

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Der Podcast Rembrandt, habibi! wird von Amina Aziz fürs Kunstmuseum Basel produziert und ergänzt die Ausstellung Rembrandts Orient. Westöstliche Begegnung in der niederländischen Kunst des 17. Jahrhunderts um eine postkoloniale Perspektive. Der Podcast umfasst fünf Folgen à je 20 bis 30 Minuten und lässt neben Amina Aziz verschiedene Akteur*innen aus Wissenschaft, Kunst und Kultur zu Wort kommen. Infos zur Ausstellung: https://kunstmuseumbasel.ch/de/ausstellungen/2020/rembrandts-orient Konze ...
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In vier Folgen nähert sich der Journalist und Moderator Michel Abdollahi einem Hauptwerk der europäischen Kunstgeschichte aus der Sammlung des Städel Museums, dem Gemälde „Die Blendung Simsons“ (1636) von Rembrandt. Der größte niederländische Künstler des 17. Jahrhunderts malte im Jahr 1636 eine alttestamentarische Geschichte auf eine rund zwei mal drei Meter große Leinwand. Heute zählt das Gemälde zu den bewegendsten, schockierendsten und faszinierendsten Werken der Kunst. Warum malte Rembr ...
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Imagine, you had in just one live around 25 legal conflicts and battles of all kinds! With clients about the quality of your work or about sharp business prices. With your neighbor about the costs of reconstruction of your house. Or for the transfer of your house to a family member to escape you creditors. Yes, I know, it's not you.. Who is this? We’re talking Rembrandt, the world famous painter from the Dutch Golden Age. I am Bob Wessels and I am from the Netherlands. I am a veteran lawyer ...
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Send us a text 1. Welcome: https://www.rembrandtsmoney.com 1. Blog: https://www.rembrandtsmoney.com/blog/ 2. Website: https://www.rembrandtsmoney.com 3. Sources: https://www.rembrandtsmoney.com/sources/ 4. Instagram: https://www.instagram.com/rembrandtsmoney/ For a few years I did extensive research, leading to my book of Rembrandt’s Money. The leg…
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Send us a text In this episode I will discuss these self-portraits and more specifically Rembrandt’s impressive self-portrait of 1658. Rembrandt was 52 years old when he painted it. For over 100 years, it has hung in New York’s Frick Collection. Why did Henry Clay Frick buy it and what did he think of this portrait? What are the features of self-po…
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Send us a text One of the reasons I decided to study Rembrandt, the artist-entrepreneur, was that I learnt he had gone ‘bankrupt’ in 1656. This would have brought him into contact with the legal system that existed at that time. During my research, I also discovered that he was a rather stubborn man who had got himeself into trouble a number of tim…
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Send us a text Without a doubt, the beautiful work The Night Watch is Rembrandt’s most striking painting. That’s why I’ve dedicated two podcasts to the painting. This second one is RM24019, The Night Watch – The Icon Painting. Where was this enormous painting made, why are some people in the foreground and others in the background? I’ll tell you th…
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Send us a text If I say ‘The Night Watch’, most Dutch people can immediately conjure up an image of this famous painting. What’s more – they think about it with not only a sense of admiration, but also national pride. As I said in earlier podcasts of this series, citing the words of sociologist Paul Schnabel: ‘It has become our national icon and th…
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Send us a text Query In my podcast RM24011 about Rembrandt’s insolvency, I also discussed which assets where incuded in the well-known inventory-list. It was made up during a two-day period, on 25 and 26 July 1656, by Frans Bruijningh, the secretary of the Chamber of Abandoned and Insolvent Estates. On today’s terms one could sat the insolvency cou…
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Send us a text Dutch East India Company (Verenigde Oostindische Compagnie, VOC) Between 1568 and 1648 the seven provinces of the Dutch Republic were at war with Spain. In 1621, a Twelve Years’ Truce ended without the need to extend it. Hostilities between the Republic and Spain resumed. During that period, international trade continued to flourish.…
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Send us a text Welcome, or welcome back again! The other day I told you that Rembrandt’s main sources of income were three of a kind: (i) commissions (assignments) for paintings, (ii) selling etches, and (ii) fees for teaching students. See the related podcast Rembrandts Money (available via www.rembrandtsmoney.com, under podcast 24014, ‘Studying w…
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Send us a text Welcome, or welcome back again. Today it is literally about Rembrandt's money. Rembrandt had three main sources of income: commissions for paintings, selling etches and receiving fees from teaching pupils. We are most familiar with his paintings and etches, commissioned by patrons or produced for the commercial market, or just simply…
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Send us a text In my podcast on this subject, I had an interesting conversation with Dr. Maurits den Hollander. In the blog-text accompanying the podcast we decided to post a short summary of our discussion at the end of the text below. This is my description of the fascinating history of the birth of Amsterdam as a city, based on the specific righ…
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Send us a text In my podcast on this subject, I had an interesting conversation with Dr. Maurits den Hollander. As an introduction, Maurits den Hollander is a historian who specializes in legal and institutional developments in the late medieval and early modern period (around 1300 – 1700). Throughout his work, Maurits strives to embed legal develo…
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Send us a text Welcome, or welcome back again. When I tell people that Rembrandt, the famous Dutch painter, went bankrupt, half of them just didn't know. The other half had sometimes, some only vaguely, heard of it. Most people would like to know a lot more about it. Well, the this podcast caters to their needs. This happens in two ways. By telling…
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Send us a text Welcome or welcome back again! Rembrandt was 32 and Saskia 26 when they purchased a large house and premises in the Breestreet in Amsterdam. The contract dates from 1639. The house formed a part of their marital community of property. Seventeen years later, in 1656, Rembrandt transferred the house to his son Titus. Until 2019, it was…
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Send us a text This we didn't know until the 1960s: Rembrandt had a relationship with his housekeeper and caretaker of his son Titus. Her name was Geertje Dircx and she was about four years younger than Rembrandt. It was shortly after Saskia's death. Geertje Dircks became Titus' caretaker in 1642. Rembrandt began a relationship with her. Later, thi…
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Send us a text Welcome, or welcome again. In this episode of Rembrandt's Money, I'll tell you about the house Rembrandt purchased in 1639. Spoiler alert: You can visit that house now: In this Rembrandt House Museum you can follow Rembrandt's life with new exhibitions every time. But, before you go... In this podcast I’ll tell you everything you nee…
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Send us a text Welcome, or welcome back again! This time I will be taking you back to swirly Amsterdam in the first half of the 17th century and its mixed population. Migration is is deeply anchored in Amsterdam's DNA. Since the 16th century, many thousands of newcomers have settled there every year, whether refugees of faith, or persons in search …
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Send us a text Rembrandt married Saskia Uylenburgh in 1634. The marriage must have been the talk of the town. The great painter Rembrandt and Saskia, daughter of a former mayor of Leeuwarden and a high-ranking senior administrator in the province of Friesland – their union must have received a lot of attention. But there were no newspapers in those…
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Send us a text Around 1630, Rembrandt worked in his first Amsterdam years with art dealer Hendrick Uylenburgh. Hendrick’s network had a significant impact on Rembrandt. Rembrandt painted between 1631 and 1634 at least fifty portraits. At the same time, Rembrandt experienced his first artistic breakthrough in 1632 with 'The anatomical lesson of Dr. …
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Send us a text RM24004 – Uylenburgh art studio I will be taking you back to swirly Amsterdam of the 17th century. Migration is is deeply anchored in Amsterdam's DNA. Since the 16th century, thousands of newcomers settled every year, whether refugees of faith, or persons in search of a better life. This migration is the driving force behind the enor…
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Send us a text RM24003 – From birth name to brand fame In this episode we will explore the story of Rembrandt’s different signatures under his artwork. A fascinating way to trace Rembrandt’s artistic development, his self image, and his desire to build a high-class reputation. So we understand how he wanted to be seen by his contemporaries, and by …
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Send us a text RM24002 – A young entrepreneur in Leiden This episode will be about Rembrandt’s signatures under his artwork. A surprising search into the way he presents himself in his first years in Amsterdam. 1. Blog: https://www.rembrandtsmoney.com/blog/ 2. Sources: https://www.rembrandtsmoney.com/sources/ 3. Instagram: https://www.instagram.com…
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Send us a text RM24001 – A National Icon Welcome or welcome back again. In this episode I I wil tell you why Rembrandt is a national icon in the Netherlands. How, when, and why did he become a Dutch national hero? Mmmm? Rembrandt a Dutch icon? There was plenty of criticism about him. He was bad with money. Wasn't he trying to defraud his creditors?…
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Blinded by Rembrandt In der vierten Folge ergründet Michel Abdollahi das Fremde in RembrandtsGemälde. Es ist besonders eine Figur in Die Blendung Simsons, die Rätsel aufgibt.Wer ist die Person vorne links im Bild und warum hat sich noch niemand bisherdiese Frage gestellt? Wie in der Kunst zur Zeit Rembrandts und heute mitStereotypisierung umgegange…
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Blinded by Rembrandt Es ist eine schreckliche Gewalttat, die augenscheinlich im Zentrum des Gemäldes Die Blendung Simsons steht. Mit welcher Art der Gewalt haben wir es hier zu tun und was macht die Auseinandersetzung mit Gewalt – damals wie heute – mit einer Gesellschaft? Diesen Fragen geht die dritte Folge von „Blinded by Rembrandt“ nach. Andreas…
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Blinded by Rembrandt Kunst berührt die Sinne – so viel ist klar. In der zweiten Folge von „Blinded by Rembrandt“ geht es um das Sehen und Nicht-Sehen und das Erfahren von Kunst mit allen Sinnen. Wie riecht "Die Blendung Simsons"? Das fragt Michel Abdollahi die Künstlerin und Geruchsexpertin Sissel Tolaas. Und wie anders kann man Kunst erfahren, wen…
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Blinded by Rembrandt In vier Folgen nähert sich der Journalist und Moderator Michel Abdollahi einem Hauptwerk der europäischen Kunstgeschichte aus der Sammlung des Städel Museums, dem Gemälde "Die Blendung Simsons" (1636) von Rembrandt. Der größte niederländische Künstler des 17. Jahrhunderts malte im Jahr 1636 eine alttestamentarische Geschichte a…
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Blinded by Rembrandt Der Journalist und Moderator Michel Abdollahi begegnet dem Meisterwerk "Die Blendung Simsons" zum ersten Mal. Es ist ein Blind Date mit Folgen. In der Auftaktfolge geht es um die Frage, was wir eigentlich auf dem Gemälde sehen, warum es kunsthistorisch bedeutend ist. Und es geht um das Höchste der Gefühle, um die Liebe. Um Mich…
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Amina Aziz wagt in der letzten Folge des Podcasts „Rembrandt, habibi!“ einen Blick in die Zukunft. Museen sind öffentliche Orte von Teilhabe, vielleicht sogar dekoloniale Orte. Können Sie das überhaupt leisten oder ist das zu viel verlangt? Braucht es radikale Forderungen, um langfristig Bewegung und Veränderung herbeizuführen? In der Schweiz gab e…
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Ganz allgemein meint der Begriff Restitution die Wiederherstellung eines ehemaligen Zustands. Im Zusammenhang mit Kulturgütern bezeichnet er die Rückgabe von Objekten, die unrechtmässig in Besitz der aktuellen Eigentümer*innen gelangten. Am häufigsten wird der Begriff für im Kontext des Nationalsozialismus oder Kolonialismus eingezogene, ›erworbene…
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Der Kolonialismus ist ein Herrschaftssystem, das bis heute nachwirkt. Kolonialismus meint die Unterwerfung und Ausbeutung auswärtiger Territorien, welche ab dem Ende des 15. Jahrhunderts durch westliche Länder vorgenommen wird. Obwohl die Kolonialzeit heute als beendet gilt, wirkt der Kolonialismus bis in die Gegenwart nach. So bleibt beispielsweis…
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Amina Aziz spricht in dieser Folge mit Josef Helfenstein, Direktor Kunstmuseum Basel und Tom van der Mole, Kurator im Amsterdam Museum. Rembrandt führte ein turbulentes Leben: Aufgrund seines Talents kam er früh zu Geld und gab es aus für Kunst, Krempel aber auch sehr wertvolle Gegenstände, bis er irgendwann pleite war. Er hatte Affären, von denen …
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Rembrandt hat die Niederlande zwar nie verlassen, hat sich aber trotzdem mit einem Ort befasst, den er sich als Orient vorstellte. Rembrandt hat die Niederlande zwar nie verlassen, hat sich aber trotzdem mit einem Ort befasst, den er sich als Orient vorstellte. Er malte Turbane und lange, edle Gewänder und sogar Miniaturen, wie er sie von Künstler*…
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