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Criterion Creeps

Criterion Creeps

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Welcome to the Criterion Creeps podcast. A podcast hosted by Jarrett and RJ where they talk about the Criterion Collection spine by spine in order of release every Wednesday.
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Lost in Criterion

Lost in Criterion

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The Adam Glass and John Patrick Owatari-Dorgan attempt the sisyphean task of watching every movie in the ever-growing Criterion Collection. Want to support us? We’ll love you for it: www.Patreon.com/LostInCriterion
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Spineless: The Future Films of Criterion

Nicholas Kinney and Brennan Saur

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The Criterion Collection is an ever-growing roster of movies deemed internationally significant on an artistic level. Each new film added to the collection is given a Spine Number, making any film NOT in the collection: SPINELESS. Join Nick and Brennan (your very-favorite SPINELESS BOYS) as they cover the classic and contemporary films they feel are most deserving of the Criterion treatment.
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How do we disrupt the entrenched power dynamics in finance to advance a more equitable future? Join us for the Criterion Institute Podcast as Joy Anderson, a global thought leader in business and social change, leads us through a series of discussions, interviews, frameworks, rants, and re-frames that will help you better understand how to use finance as a tool for transformative systems change. Learn more by visiting us at www.criterioninstitute.org.
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Criterion Now

CriterionCast

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A current rundown of the world of Criterion with a round table of guests. We talk about new and upcoming releases, what's happening on FilmStruck, and other related topics related to the Criterion Collection.
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My Criterions

Bil Antoniou

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Podcaster Bil Antoniou of BGM: Bad Gay Movies Bitchy Gay Men goes through his Criterions and talks about the movies and the memories they inspire, along the way chatting with a few friends. This podcast is not affiliated with the Criterion Collection and no copyright infringement is intended.
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Surprisingly Criterion

Surprisingly Criterion

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Surprisingly Criterion - the podcast where we select and talk about the films that we’re surprised are a part of the Criterion Collection, and the films we can’t believe are not! The Criterion Collection brands itself as a depository of important classic and contemporary films for film aficionados. Their collection features over a 1000 movies and counting! Surely all of these can’t be important, can they? What does 'important' even mean!
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Welcome to the Criterion Correction! In this podcast, we'll be delving into the Criterion Collection of films to try and figure out what each says about the craft of cinema and what, exactly, it takes to become part of the collection. Join us for rousing conversation and many, many references to geekery and film culture.
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CRITERIONAUTS

Explosomagico

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Brave film explorer comrades Joey Reinisch and Chris McCaleb journey to far the reaches of cinema. In each mission, they will analyze, report and criticize a film from THE CRITERION COLLECTION, hopefully maintaining their sanity in the presence of extreme motion picture brilliance...or something.
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Keisuke Kinoshita's The Ballad of Narayama is a film about enforced austerity, about capitulating to the fascist power structures, about how we can be conditioned into killing ourselves even without a boot directly on our neck because that's the status quo. It's about what we do to others and to ourselves not because we have to but because we've be…
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AHHH I’m so scared there’s a scary ghost in this movie! Just kidding, no ghosts here. Just a very ornery dressmaker. Join Nick and Brennan as they discuss Paul Thomas Anderson’s haute couture character study Phantom Thread, a film that makes the Spineless Boys pose questions such as: Do Vicky Krieps and Daniel Day-Lewis be f***ing? Is this film sec…
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In this celebratory 50th episode of the Criterion Institute podcast, Joy engages in a heartfelt conversation with David Bank, CEO of Impact Alpha. They reflect on the power of voice in impact investing, the importance of language, and the role of media in shaping community narratives. Joy then shares her personal journey of finding her voice and in…
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Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast continue to exis…
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This is Episode No. 100 of “Music for a While.” To mark the occasion, Jay presents music associated with that number: 100. So, we can consider this a centennial celebration.Bach, “Darum wir billig loben dich,” from the Cantata BVW 130Dvořák, Scherzo from Sonatina for Violin and Piano, Op. 100Bach, “Er ist mein Licht, mein Leben,” from the Cantata B…
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Wim Wenders had planned for years with German Neo-expressionist choreographer Pina Bausch to make a film of her work, but Wenders didn't know how he could do it justice. Then he saw U2 3D (2008) and knew that digital 3D was the technology he needed. Unfortunately, as technology caught up to Wenders' vision, Bausch passed away, and Pina (2011) morph…
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In the first 140 Spines of the Criterion Collection there were five Alfred Hitchcock films, leading us to believe we'd be seeing a lot more from him over the years, but it turns out The Man Who Knew Too Much (1934) is the first Hitchcock we've watched for the podcast in just shy of a decade. This is the original The Man Who Knew Too Much, one of Al…
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Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast continue to exis…
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ARRROOOOOOO!!!! *boss nass jowl flapping noises* In one of their most delirious episodes yet, Brennan and Nick come to you LIVE (well, live six weeks ago) from the Windy City to discuss 2001’s FREDDY GOT FINGERED, a harbinger of things to come. It’s late at night and they got jewels, sausages, and a truly locked-in performance from Rip Torn on the …
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While the first two films in Godfrey Reggio's Qatsi Trilogy were built on filming in particularly locations, in Naqoyqatsi, the image itself becomes the location as editor and "digital cinematographer" Jon Kane takes us into the simulation that is modern life. Unfortunately, like the early unused setpiece footage from Koyaanisqatsi, the tech here h…
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In this episode, Joy reflects on the role of hope in times of uncertainty. She shares how the practice of acknowledgment at the recent Convergence conference created space for courageous conversations about power, privilege, and resilience. Joy also recounts a candid exchange that reminded her of the importance of showing up, even when hope feels d…
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Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast continue to exis…
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We continue through Godfrey Reggio's Qatsi Trilogy with 1988's Powaqqatsi. Reggio works with Phillip Glass again but they lost Ron Fricke for this one and his absence is felt, particularly in the editing. While the first film looked at what US industrialization has done to its own people, Powaqqatsi travels around the world to look at the effects o…
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Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast continue to exis…
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NO RED ONE JOKES APPEAR IN THIS EPISODE. DON’T EVEN THINK WE’RE GONNA DO A JOKE ABOUT RED ONE IN THIS EPISODE. In this Very Special Episode of Spineless, Nick and Brennan are joined by friend and comedian Robin Borden to discuss Jane Schoenbrun’s 2024 film I Saw The TV Glow. The recipient of a record-setting number of Golden Spine Awards, it’s a re…
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An appetizing, eclectic program. Charity is represented by a sturdy American song: “If I Can Help Somebody.” Malice is represented by a movement from Walton’s Symphony No. 1, marked “Presto con malizia.” Much to listen to and absorb.Shostakovich, “A Spin through Moscow” from “Moscow, Cheryomushko”Fauré, “Clair de lune”Beethoven, “Abscheulicher!,” f…
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We start into Godfrey Reggio's Qatsi Trilogy this week with what many consider the strongest of the three films, mostly because Ron Fricke's cinematography and editing is masterful in it. Built from scenes of natural beauty and alienating industry with a phenomenal sountrack by Philip Glass, Koyaanisqatsi is a deeply effecting visual poem. Our dear…
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In this episode, Joy discusses the critical role of organizing and mobilizing in creating transformative change within finance. She reflects on insights gained from recent conversations and emphasizes the need for collective action, particularly in the context of sustainable finance. The discussion covers various strategies, including shareholder a…
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Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast continue to exis…
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Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of Season 5: 1973 features a discussion about films that were destined to eventually bear the Criterion imprint, whether published on physical media or made availabl…
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Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of Season 5: 1973 features a discussion about films that were destined to eventually bear the Criterion imprint, whether published on physical media or made availabl…
  continue reading
 
Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of Season 5: 1973 features a discussion about films that were destined to eventually bear the Criterion imprint, whether published on physical media or made availabl…
  continue reading
 
Christopher Nolan's first feature, Following (1998) is a neo-noir with an achronological story structure. The man loves a neo-noir with an achronological story structure. Nolan describes the film as the pinnacle of what he could achieve in a low budget and just working with his friends. which is damning if true because it's just not very interestin…
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Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast continue to exis…
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It's Oscars weekend, and we wanted to get in on the fun...introducing the Golden Spine Awards, Spineless' own awards show celebrating excellence in 2024 cinema. We are joined by Andy Germuga (Cannes I Kick It? podcast) to pick our personal nominees and winners in 8 major categories: Picture, Director, Actor, Actress, Supporting (x2), and Screenplay…
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René Clément's 1960 adaptation of the 1955 novel The Talented Mr. Ripley, Purple Noon is seems to find the director and screenwriter Paul Gégauff trying to drain the homoeroticism out of the source material. Fortunately, cinematographer Henri Decaë and star Alain Delon (in his breakout role) knew how to add it back in through both Delon's fantastic…
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In this episode, Joy discusses the significance of acronyms in communication, particularly in the context of finance and social change. She emphasizes the importance of clarity and meaning over brevity, arguing that acronyms can obscure understanding and create exclusivity. Joy critiques the use of acronyms in Gender Lens Investing and other initia…
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Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast continue to exis…
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This episode begins with Pärt’s “Hymn to a Great City.” (That would be New York.) Elsewhere, there are songs, setting Langston Hughes and Mark Van Doren. Oscar Peterson plays a pop song, adding various musical ingredients. Finally, there is a tribute to Edith Mathis, the Swiss soprano, who has died at eighty-seven. Much to listen to, and maybe even…
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