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Collider’s horror podcast The Witching Hour digs into all things horror, from the biggest titles at the box office to under-the-radar gems, exclusive interviews, early reviews, deep-dive analysis and all the need-to-know in genre film. Co-hosted by Collider senior producer Perri Nemiroff and senior editor Haleigh Foutch,
Ep 133: “Wonder Woman 1984”
Manage episode 281872818 series 1929460
Wes Evans: Actor, Filmmaker, Director, Writer; Todd Sapio: Actor, Producer, Musician, Athlete, Wes Evans: Actor, and Writer; Todd Sapio: Actor tarafından hazırlanmış olup, Player FM ve topluluğumuz tarafından keşfedilmiştir. Telif hakkı Player FM'e değil, yayıncıya ait olup; yayın direkt olarak onların sunucularından gelmektedir. Abone Ol'a basarak Player FM'den takip edebilir ya da URL'yi diğer podcast uygulamalarına kopyalarak devam edebilirsiniz.
We put the lasso of truth on Gal Gadot’s “Wonder Woman 1984” and discuss:
- themes, and conversational subtext in Wonder Woman;
- Chekhov’s Gun, wasted story elements;
- using a temp track for editing purposes (and how “Sunshine” was ripped off once again);
- and other such stuff and things and stuff.
“No one is useless in this world who lightens the burdens of another.“ – Charles Dickens
Notes & References:
“Adagio in D Minor” song
“Adagio in D Minor” Wikipedia
Every Frame a Painting “Marvel Symphonic Universe”
WW84 reportedly had a budget of $200m
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